BEATRX BEATRx

2023 SONGLIST

ICONoCLASTICS

iconOclastics

(Lyrics Prompt)

and first three words # Key

1 C#m LAYLA 130 4/4 alt 90 train

BLUEGRASS VERSION LOTS OF SOLOS, NO BORING ENDING verse solo verse solo 1 what will you do 2 I tried to give you 3 let’s make the best

2 D TABACCO ROAD by the Nashville Teens and John D Loudermilk who created the song 120 simple

I was born in a trunk Mama died and my daddy got drunk left me here to die alone
Let me hear two dying crows …
2 grew up in 3 gonna leave, get a job 4 Bring dynamite and a crane

3 Em ACE OF SPADES MOTORHEAD I do a slower version. More like “Coals” version. Hail Lemmy. 80's 150

1 If you like to gamble (the pleasure / I don’t) 2 playing for the high one, dicin’ (seven or 11 / double up or) 3 Pushing up the ante (I see it in your eye the only one you see)

4 F ROCKABILLY HALL OF FAME B side band. The Rockabilly Hall of Fame has yet to embrace this song. I give it a more danceable beat 130 simple

1 found ourselves this cool won't believe the folks we saw 2 poster hung up on the wall perkins vincent had a ball Johnny Cash and Elvis too 3 Marty Robbins made us dance Elvis put us in a trance that night won't forget the sights we saw all those rockers yelled for more

5 G MOTHER OF A MINERS CHILD GORDON LIGHTFOOT very nice song. I give it a harsh beat which brings out the lyrics better, I think. 138

1 she is my flower (waits for me beside the kitchen door) 2 She is my light (wash away the coal dust from my face) 3 SOLO 4 When the night shifts done (and the promise I made to carry on) 4 sometimes I smile in the cage where the cables softly hum I'd curse that old straw boss to the bone but the mother of a miners chikd is waiting for her paycheck to come home come saturday (he is just a miners boy, I hope that he will find a better way

6 THE LETTER

[Verse 1] SING HIGH
          Give me a ticket for an aeroplane
Ain't got time to take a fast train
Lonely days are gone, I'm a-goin' home         E                    Am
Cause my baby just wrote me a letter
 [Chorus] SING LOWER OCTAVE
         C          G
Well she wrote me a letter
         F        C            G
Said she couldn't live without me no more
C             G
Listen mister can't you see
  F          C            G
I got to get back to my baby once more E Anyway7   A to Bb  HEY LITTLE COBRA A to Bb  HEY LITTLE COBRA 1963 140 simple The Rip Chords. Great key change third verse 1

I took my Cobra 2 when the flag went down 3 around the far turn in the striaghtaway

8 C New York is a lonely town Trade Winds The last surf song to reach the top ten. 1965

130 simp 138 SEEMS BETTER

1 my folks moved to New York 2 from central park to Pasadena’s such a long way

9 D I ONLY WANT TO BE WITH YOU 120 GROOVE BEATdon't know what it is that makes me love you so I only knew I never want to let you go

You started something, can't you see? And ever since we met, you've had a hold on me
It happens to be true I only wanna be with you

INTRO PATTERN
[Verse 2]It doesn't really matter what you say or do I want to spend each moment, any day with you
Look what has happened with just one kiss I never knew that I could be in love like this

It's crazy but it's true I only wanna be with you

[Bridge] You stopped and smiled at me And asked me if I cared to dance
I fell into your open arms And I didn't stand a chance
[Verse 3}SOLO

VERSE 4 I don't know what it is that makes me love you so I only knew I never want to let you go
You started something, can't you see? And ever since we met, you've had a hold on me

It happens to be true I only wanna be with you
[Bridge]
You stopped and smiled at me And asked me if I cared to dance
I fell into your open arms And I didn't stand a chance

[Verse 5] Now, listen honey I just want to be beside you everywhere
As long as we're together, honey, I don't care
Cause you started something, can't you see? Ever since we met, you've had a hold on me
No matter what you do I only wanna be with you

No matter, no matter what you do

10 Em DRINKIN’ GASOLINE THE BABOONS 2012 Rockabilly 90 Train beat or 130 soft pick

1 Well I'm driving down the road in my Cadillac Travelling lies me by a road turning black
Drinking gasoline is a whole lotta do Drinking gasoline to get over you
We were doing swell with a short way to hell on the hill
2 Well I met you in the desert at Sabriskey point

3 Well I drove ten thousand miles away from home
See no trap in jail, but ain't no desert spawn (solo)

4 Engine started smoking and wings on fire
Big wheels started shaking and I lost a tyre

11 E COMING UP Paul McCartney super optimistic song

sim 120 PUNK 4/4

1- you want a love 2 you want a friend 3 you want some peace and understanding so everyone can be free 4 you want a better kind of future one that everyone can share

G JENNY ARE YOU GAY? HILLBILLY MOON EXPLOSION From 2010. R'BILLY 110

1 jenny are you gay 2 jenny r u gay you got a real cool shirt 3 I didn’t see you at the ball game.4 I saw you dancing techno

13 Cry Baby Cry G CRY BABY CRY BEATLES built for metal. SIMP 140

1 The king of Marigold was in the kitchen 2 the king was in the garden 3 the duchess of Kirkaldy 4 at twelve o clock a meeting for a seance

DARK DREAM Gm TO G#m

15 My love forever more

Am MY LOVE FOREVERMORE HILLBILLY MOON EXPLOSION 150 BPM

1 I’d like to pack this in 2 oh the river is cold and black 3 SOLO 4 don’t lose your step 5 SOLO 6 we’ll stay at home listen to a record and watch the candle burn

16 Walk Like a Man Bb WALK LIKE A MAN FOUR SEASONS 1963 How about sing like a man? 110 ROCK DRUM GOOD FOR SOLO doesnt work on chorus

G MY SO Bb F ON

1 oh how your tried 2 bye bye baby

17 B I'M TELLING YOU NOW

18 THE WORKIN' MAN

19 D SKINHEAD LOVE AFFAIR “she stole a shirt I went to court”

1 I met her at a ballroom gig (I bought her lotta drinks that night) 2 I took her down to Last Resort (I thought about her every day) 3 on the day that I got out, ( I got down on bended knee)

20 DON'T DREAM IT'S OVER

1986 Crowded House 4/4 130

1 There is freedom within 2 there’s a battle ahead 3 Now I'm towing my car 4 in the paper today 5 now I’m walking again 6 only shadows ahead

21 Em7 HURT YOU FIRST NIIA pop song from a couple years ago I try to make it a Power Station style simp 130

1 you’re too good for me 2 are you guilty is there a secret 3 gonna make you cry gonna say goodbye it'll be nice4 I’m gonna I’m gonna hurt you first youll be the one the only one thats a cryin'

22 E DON’T LOOK NOW CREEDENCE

1969 a lesser -known

album cut. 4/4 130

1 who’ll take the coal from the mine, who'll take the salt from the mines who'll take a leaf 2 who’ll work the field who'll put his back to the plough who'll take the mountain (DON’T LOOK NOW SOMEONES DONE YOUR STARVIN’) solo repeat chorus 3 repeat don’t look now 4 wholl make the shoes for your feet? who'll make the clothers you wear? who'll take the promise you you don't have to keep

dont look now it aint you or me 5 SOLo 6 who’ll take the coal from the mine wholl take the salt from the eearth? who'll take the promise that you don't have to keep?

23 I KNOW YOU

24 REDNECK WOMAN F# REDNECK WOMAN a very mean spirited parody could be offensive to some

Redneck Woman (Reality Remix) [Verse 1] Well, I done never, Read words that's typed I don't like to solve problems with my words I'd rather get drunk and fight Whammy on my Grandma Or my little one Or a random passerby My boyfriend takes good care of me

And gave me these black eyes No, I ain't got no degree And I can't even rhyme Got my ‘leven kids with me And not one dad in sight Since I'm a redneck woman, never been to a mall
Just the product of the incest From my sister and my Pa And I keep them engine car parts On my front yard all year long Not that you can see 'em Since my lawn's so overgrown Callin' all you white-trash skanks In Confederate Country Get your hands off my man, bitch!
Or you got to deal with me! Cuz I'm tough Hell Yeah! (Hell Yeah!)

2] It's ain't no secret That my stuff's real prime Get ma number offa that bathroom stall Call me for a good time
That's a real number wrote it myself So I's can find a good man No, there's no such thing as a Sothern fag 'Cuz they've all dug my clam
You might think I'm nasty And you might call me poor But in my mind and in my heart (Offscreen): You're just a backwoods whore! Hey!
I'm a redneck woman And you stay off my land My Grampy stole it fair and square From that American Injun Stan And my family's been residing here For over a hundred years And we don't want our country filled with Immigrants and queers So here to all out here screamin' loud" The South will rise again" Let me get a big hell yeah From a southern minute man Hell Yeah! (Hell Yeah!)

[Verse 3] So I'm a redneck woman that's all I am Proud to be from the USA The place that brought you spam
And I go to church on Sundays Cuz I'm a god-fearin woman The preacher uses all big words
That I don't understand So here's to all the people That never cross that county line

Let's stay home in our shit towns Until the end of time Hell Yeah! (Hell Yeah!)

25 MARY LOU

26 RED CLAY HALO IN Ab?

27 Ab or A SHUT DOWNSHUT DOWN BEACH BOYS 60’s

tach it up tach it up 1 it happened on the strip 2 declinin numbers (super stock Dodge is ) 3 pedals to the floor hear his dual quads rake

other songs to consider

fast car

cold turkey

\brenda put our bra on

29 A IT'S MY PARTY 'IT’S MY PARTY LESLIE GORE 60’s

1 its my party and ah cry if I want to 1 nobody knows where my Jenny has gone 2 play all my records 3 Judy and Jenny just walked through the door

29b way hillbilly high

1 my grandaddy was a miner 2 he worked and saved his money so that one day he might send

3 granddaddy rolled over in his grave

30 B THIS KISS Faith Hill

1 I don’t wanna another heartbreak 2 Cinderalla said to Snow White how does love get so off course …you can kiss in the moonlight on the rooftop… to F# 3 it’s the way you love me

31 C#m UNDERDOG Alisha keys good song I sing it lower

1 she was walking down the street looked up and noticed 2 she’s ridin’ in a taxi talkin27 F I KNOW YOU Dave Clark 5 British invasion inspired by rockabilly and I use surf beat 140 1 I know you don’t 2 I’m a fool believe me

25 Changes in Latitudes D CHANGES OF LATTITUDE JIMMY BUFFETT 1 I took off visions of good times that brought so much pleasure(I didn’t ponder) 2 reading departure signs in some big airport (if it suddenly) 3 I think about Paris I WISH I could jump on a plane(oh yesterdays over my shoulder

)32 D JUDYS TURN TO CRY JUDY’S TURN TO CRY let’s have another party

1 when Judy left with jenny at my party 2 well it hurt me to see them dance together I felt like making a scene 3 One night I saw them kissing at a party

33 E HOLD ON LOOSELY 38 Special

1 you see it all around you and usually 2 its so damn easy when your feelings are such DG A thing 3 see it all around you repeat 1 I guess

34 D SUNNY AFTERNOON Kinks hit

1 the tax mans take all my dough 2 my girlfriends run off with my car 3 solo

35 E RED CLAY HALO VARIOUS ARTISTS 130 simple

1 well the girls all dance 2 it’s under my nails CHORUS 3 now it’s mud in the spring dust in the summer 4 solo chorus 5 now Jordans banks are red and muddy

HEADS CALIFORNIA

1 baby what do ya say we just get lost. Leave this 2 we can load what we own 3 we’re gonna get out of here if we gotta ride a greyhound bus

36 E TO F TAPESTRY

37 F CALL ME MAYBE Pop hit given the metal treatment

1 I threw a wish in the well 2 you took your time with the call 3 solo …before you came into my life…

38 G TOMBSTONE SHADOW Creedence Clearwater Revival delightfully grim

1 tombstone shadow stretchin’ 2 saw the gypsy man 3 said I got 13 months 4 the man gave me a luck charm cost five dollars more

39 GM to G#m DARK DREAM DARK DREAM original. Disco Doomer 138

1 there was a girl I could have loved 2 since I’ve been all around the world 3 added sedative effect 1 I was walking thorugh the night 2 there I was in a strange place 3 electric beam brings hand to life

40 G#m WHEN SHE SEES ME

extra alternate F# TO G# 41THE CHEATER 60’s hit. Changes keys TWICE this is #1 replacement song

1 havent you heard 2 all of you girls 3 one of these days he’lll find a girl who

encore lol A 42 SURF CITY JAN AND DEAN 60’s 1 I bought a 34 wagon and we call it a Woodie 2 they say they never roll the streets up cuz theres always something going 3 and if my Woodie breaks down on me somewhere on the surf route

43 stay Gone

44 brown eyed handsome man

45 sugar shack

47 ridin in my car

BEATRX

iconOclastics ICONoCLASTICS

11 BEATRiX OR beatrIx or beatnix Beatnx

Rock and Roll is our American legacy, not the Confederacy. Guns guns guns! Lay down the sword and pick up a traditional instrument. What the fuck is wrong with you guys? We can agree on music, so we can agree on other things.

These are songs 2 good 2 B forgotten. Many had insipid, uninspired beats back in the day and rockabilly can fix this problem. These are Good songs that need a big beat treatment and a drummer who knows how to use the bass drum. I’m looking for a metal drummer to jam with. Do these 44 (55?) songs only. If I ever have to jam to Hey Joe or House of the Rising Sun again, I will die a little inside.

Beatrix is the alternative name of the group. BeatRX. The beat is the remedy. Actually named after my car Beatrix.

I play enough of the structure of the song all the way through and sing it if no one else knows it. So the trouble with every band I was even in, is solved. What songs will we do? Everybody knows different parts of different songs that no one else knew except for maybe slow ride house of the rising sun and hey joe. Me Bernie and Carl made some good noise.

A blend of Metal and Rockabilly is what I'm looking for.. Lots of solo verses. So, I see it very much like Bluegrass in a way where they then do a verse and someone does a solo. Any musician can come up and play if they know the song and I would make a playlist available for people to peruse. Verse solo verse solo. Like “Hillbilly Cat”. Solo verse solo solo verse verse solo. What I call American Dankbilly. What songs you can you jam with?

A bass player that wants to play some simpler good time dancing music is also welcome to join, because it turns out these songs got a dancing beat. The beat is the remedy. I have an Acoustic 371 for a bass player to use. I’m seeing drums, guitar and bass as the core while trying to bridge rockabilly and metal. On simple karaoke machines. Some of us make too many mistakes to be professionals but we still need to play.

We should have the battery power to play anywhere. Not trying to fill a stadium here, but events with 10 to 50 people. My karaoke machine fits a guitar and I can plug in and play beats offa my phone with an Aux cord.

I sing without a microphone. We could probably do higher decibel stuff, but it takes away from the community spirit and self-sufficiency this concept would engender. A metal version of Surf City and a Surf beat to I know you by the Dave Clark Five of British invasion fame. It's genre busting time.

We set up and play at events that have no music. A flash band. Every group like this has a different songlist. You see, we pass out a sheet that shows all 40? songs and what key it’s in. You can follow along for one thing and the sheet also includes an urging for people to buy or stream this music you are hearing. Of course. You got your F and C harmonicas. Check out which songs are in these two keys. Just jump in. It’s a new concept to help rebuild communities. These are the songs I do and the ones I’m doing. Join me and note the keys of this songlist are constantly going higher. I am testing to see if this creates sone kind of positive momentum. C#M, D , Em etc

Am I looking for applause? No. Looking to do traditional gigs playing “songs people like”? No. Not at all. We have to get away from this giant comfort zone of pop culture. I feel like a trained monkey the few times I've performed. It doesn’t seem natural. What sells isn’t what is good. It’s easy, soft and sweet.

I want to make music with people in all these new situations we are going to find ourselves in.

Farmers markets, flash markets, events and civic gatherings. It wont be about rioting in the streets it will be about commerce in the streets. We unhinge from the global market and become independent and communitarian.

Music will be needed, and we can’t depend on people who are all about creating their own brands or wearing outrageous costumes with one new gimmick after another. Stage presence doesn’t make the music better, it only seems like it.

I see it as more playing at events and not in front of an audience. People with costume fetishes have had their day. We want to make some authentic American music to preserve good songs, forgotten album cuts, or songs never heard. Give old, tired songs a beat treatment.

IconOclastics. BeatRX. BEATRX

COMPLETE LYRICS BELOW

1 120 simple

4/4 130 LAYLA

What will you do when you get lonely No one waiting by your side?
You've been running, hiding much too long You know it's just your foolish pride
Layla, begging, darling, please Layla you got me on my knees
Darling, won't you ease my worried mind?

SOLO
Tried to give you consolation Your old man had let you down
Like a fool, I fell in love with you You turned my whole world upside down

Layla etc SOLO 3 Make the best of the situation Before I finally go insane
Please don't say we'll never find a way Tell me all my love's in vain
SOLO IN Dm

2 TOBACCO ROAD

120 simple two in a row

I was born in a trunk mama died and my daddy got drunk left me here to die alone (hear two dying crows in the middle of tabacco road

Grew up in a rusty shack all I had was a clingin’ to my back only you know how I loathe this place called tabacco road

BUT ITS HOME THE ONLY LIFE I’ve ever known only you know how I love Tabaco Road

Gonna leave, get a job with the help and the grace from above. Save some money get rich and old bring it back to Tabacco Road

Bring dynamite and a crane blow it up and start all over again build a town be proud to show keep the name Tabacco Road

Chorus sol half of first verse end.

3 ACE OF SPADES

150 80’s

1 If you like to gamble, I tell you I'm you're man, You win some, lose some it's all the same to me,

D The pleasure is to play, it makes no difference what you say,

I don't share your greed, the only card I need is, The Ace Of Spades.1

2 Playing for the high one, dancing with the devil, Going with the flow, it's all the same to me,

D Seven or eleven, C snake eyes watching you,

D Double up or quit, double take or split, The Ace Of Spades.

BRIDGE Well you know I'm born to lose, and gambling's for fools, But that's the way I like it baby, I don't want to live forever, And don't forget the joker!

3 Pushing up the ante, I know you want to see me, Read 'em and weep, the dead man's hand again,

D I see it in your eyes, C take one look and die, The only thing you see, you know it's gonna be, The Ace Of Spades.

F# G ending

4 ROCKABILLY HALL OF FAME

130 SIMPLE

1) We found ourselves this cool address, In Nashville….Tennesee no less, that night at the RHOF

Won't believe the folks we saw the moment we walked through that door that night ……at the RHOF Sweet gene Vincent F Robert gordon …..stray cats played those rhythm grooves, eddie Cochran didn’t stop

2) Posters hung op on the wall. Perkins Vincent …had a ball that night at the RHOF Johnny cash and elvis too Buddy holleys rockin through that night at the RHOF Sweet gene Vincent did his moves F first fret Robert gordon was red hot.stray cats played those rhythm grooves, Link wrays ROCKIN didn’t stop and tinyriff should have solos hereall of themhrous sWEET gENE.... Dick Dales Cordell Jacksons rockin didn’t stop

3 Marty Robbins made us dance elvis held us in a trance that night at the RHOF Wont forget the sights we saw all those rockers yelled for more. That night at the RHOF(3X)riff ending

5 MOTHER OF A MINERS CHILD 138

This is where I plug in the Fuzz Box

G) She is my flower And she (C) blooms for the one who loves her (G) best
The (C) miners stop to (D) watch her as she (G) walks
They (D) know her love is not for sale (C) She will never fail me 'cause I (G) know
I watched her (Em) grow

GO UP AN OCTAVE FOR THIS PART
And the (C) mother of a (D) miner's child
octave jump (C) Waits for me be(D)side the kitchen (G) door (D)

She is my light In this place where the darkness never ends
She'll guide me where the tunnels twist and bend
She's the only one who listens when I tell her I got less than I can spend
She knows the pace

DWELL ON THE E MINOR Oh mother of a miner's child
Wash away the coal dust from my face (F) (C) (D)

3         When the night shift's done She'll be waiting by the table when I come
Searching for another dream to chase Oh mother of a miner's child
I know that you still think about the day When we'll be movin' on
Remember dear old Daddy and The promise that I made to carry on
   4 Sometimes I smile In the cage where the cables softly hum
I'd curse that old straw boss to the bone But the mother of a miner's child
Is waiting for her paycheck to come home Come Saturday
And he is just a miner's boy I hope that he will find a better way

4 She is my flower And she blooms for the one who loves her best
The miners stop to watch her as she walks They know her love is not for sale
She will never fail me 'cause I know I watched her grow
(octave jump)And the mother of a miner's child Waits for me beside the kitchen door

6 THE LETTER

The Letter - The Box Tops

138

Written by Wayne Carson Thompson
 
 
[Verse 1]
Am                      F
Give me a ticket for an aeroplane
G                        D
Ain't got time to take a fast train
Am                    F
Lonely days are gone, I'm a-goin' h
         E                    Am
Cause my baby just wrote me a letter
                            I don't care how much money I gotta spend
                     Got to get back to my baby againA      Lonely days are gone, I'm a-goin' home                    My baby just wrote me a letter 
 
[Chorus]
      C Well she  G wrote me a letter         F        C            G
Said she couldn't live without me no more
C             G
Listen mister can't you see
  F          C            G
I got to get back to my baby once more
E
Anyway
 
 
[Verse 3]
Am                      F
Give me a ticket for an aeroplane
G                        D
Ain't got time to take a fast train
Am                    F
Lonely days are gone, I'm a-goin' home
         E                    Am
Cause my baby just wrote me a letter
 
 
[Chorus]
         C          G
Well she wrote me a letter
         F        C            G
Said she couldn't live without me no more
C             G
Listen mister can't you see
  F          C            G
I got to get back to my baby once more
E
Anyway
 
 
[Verse 4]
Am                      F
Give me a ticket for an aeroplane
G                        D
Ain't got time to take a fast train
Am                    F
Lonely days are gone, I'm a-goin' home
         E                    Am
Cause my baby just wrote me a letter
         E                    Am
Cause my baby just wrote me a letter

7 A to Bb  HEY LITTLE COBRA 1963 140 simple The Rip Chords. Great key change third verse 1 
I took my Cobra 2 when the flag went down 3 around the far turn in the striaghtaway
1 I took my Cobra SPRING LITTLE COBRA AND GET A READY TO STRIKE
 SPRING LITTLE COBRA WITH ALL YOUR MIGHT
SHUT EM DOWN SHUT EM DOWN
HEY LITTLE COBRA DON'T YOU KNOW YOUR GONNA SHUT EM DOWN                  2       when the flag went down
               key change at the end
3 Around the far turn      in the straightaway I was blowin off everything that got in my way sting ray s and jags were so far behind I took my cobra outta gear and coasted to the line
 
8    New Yorks A Lonely Town
 130 simple
My folks moved to New York from California
I should have listened when my buddy said Gsus4"I warn ya" (warn ya)
F There'll be no surfin' There And no one even cares"
Chorus Dm7My woody's ouG7tside Covered with snow (nowhere to A7go C.now)
New York's a lonely town when you're the only surfer boy Around
Verse 2
From Central Park to Pasadena's such a long way
I feel so out of it walkin' down Broadway (Broadway)
I feel so bad each time I look out there and find [repeat choru11  




18    THE WORKING MAN
140 simple straight beat
 
1 Well, I was born on a Sunday; by Thursday I had me a job. I was born on a Sunday; by Thursday I were workin' out on the job.     I ain't never had no day off     since I loined right from wrong.
2 Mama said I was bad, I did something to her head. Mama said I was bad, I did something to her head. And poppa threw me out, ooh, said, "I gotta earn my own way."
Pattern and solo verse
BREAK   I ain't never been in trouble; I ain't got the time.
I don't mess around with magic, child. What I got is mine.
3 Whatever you say, Lord, well, that's what I'm gonna do. Whatever you say, well that's what I'm gonna do. 'Cause I'm the working man, Lordawww I do the job for you.
Every Friday, well, that's when I get paid. Don't take me on Friday, Lord, 'cause that's when I get paid. Let me die on Saturday night, ooh, before Sunday gets my head.

10 Em DRINKIN’ GASOLINE THE BABOONS 2012 Rockabilly 90 Train beat or 140

4 Engine started smoking and wings on fire
Big wheels started shaking and I lost a tyre

11 E COMING UP Paul McCartney super optimistic song

sim 120 PUNK 4/4

1- you want a love 2 you want a friend 3 you want some peace and understanding so everyone can be free 4 you want a better kind of future one that everyone can share

12 G Cry Baby Cry

CRY BABY CRY

CRY BABY CRY DO INSTRUMENTAL VERSE AND CHORUS FIRST

Simple 130? 140?

Cry baby cry make your mother sigh she's old enough to know better so cry baby cry

1 The king of Marigold was in the kitchen cooking breakfast for the queen

The queen was in the parlor playing piano For the children of the king

Cry baby cry make your mother sigh she's old enough to know better so cry baby cry

2 The king was in the garden picking flowers For a friend who came to play The queen was in the playroom painting pictures For the children s holiday Cry baby cry make your mother sigh she's old enough to know better so cry baby cry

3 The duchess of Kircaldy always smiling and arriving late for tea The duke was having problems with a message At the local bird and bee Cry baby cry make your mother sigh she's old enough to know better so cry baby cry 12^TH FRET HARMONICS AFTER SOLO VERSE

4 At twelve o'clock a meeting round the table For a séance in the dark

With voices out of nowhere put on ‘specially by the children for a lark.

Cry baby cry make your mother sigh

Fm Can you take me back where are people, can you take me backCan you take me back where are people, brother can you take me back Can you take me back?

13 JENNY ARE YOU GAY? HILLBILLY MOON EXPLOSION From 2010. R'BILLY 110

1 jenny are you gay 2 jenny r u gay you got a real cool shirt 3 I didn’t see you at the ball game.4 I saw you dancing techno

Jenny are you gay?k

Rockabilly 110 Voice recorder 5/18/17

1 Jenny, are you gay? You're so good looking But something's in the way

When I look in your eyes Oh, Jenny you mean so much to me I've waited so long for you to set me free And so I ask myself each day

2 Jenny, are you gay? You've got a real cool shirt, yeah It's tight black satin Not like the other girls, now

They all wear plaid and corduroy I really like your style i wanna be your boy So I ask myself each day, Jenny, are you gay?

(Bm)Shopping malls and station wagons Ain't a lot for a guy like me

My ma was a naggy parent,So Jenny, won't you set me free

Take a look into my eyes, there's lots of love for you

Tell me now, is it wrong To want to get more from you?

3 Johnny, are you gay?

I didn't see you at the ballgame I heard you gone shopping

Just you and Chesty Morgan All I want is to be close to you

C'mon, give it a try, I know you'll like it too And so I ask myself each day...

SOLO SOLO SOLO SOLOSHOPPING MALLS AND STATION WAGONS

4 Jenny, are you gay? I saw you dancin' techno The way you move to the beat It’s supernatural

Oh, Johnny, you mean so much to meI've waited so long for you to set me free

An so I ask myself each day, Jenny, are you gay

3 DIDN’T SEE YOU AT THE BALLGAME

4 I SAW YOU DANCING TECHNO

14 Walk Like a Man

15 Changes inn Latitudes

CHANGES IN LATITUDES 130

Intro:  G   D   A   G D

120 BPM

I took off for a weekend last month Just to try and recall the whole year All of the faces and all of the places

Wonderin' where they all disappeared

Bm F#m

I didn't ponder the question too long I was hungry and went out for a bite

G D

Ran into a chum with a bottle of rum and we wound up drinkin' all night

G D It's these changes in latitudes, changes in attitudes

Nothing remains quite the same

G With all of our running and all of our cunning if we couldn't laugh we would all go insane

Reading departure signs in some big airport

Reminds me of the places I've been

Visions of good times that brought so much pleasure

Makes me want to go back again

If it suddenly ended tomorrow I could somehow adjust to the fall Good times and riches and son of a b**ches I've seen more than I can recall

Chorus:

These changes in latitudes, changes in attitudes Nothing remains quite the same

Through all of the islands and all of the highlands If we couldn't laugh we would all go insane

I think about Paris when I'm high on red wine

I wish I could jump on a plane So many nights I just dream of the ocean God I wish I was sailin' again

Oh, yesterday's over my shoulder So I can't look back for too long

There's just too much to see waiting in front of me

And I know that I just can't go wrong

With these changes in latitudes, changes in attitudes

Nothing remains quite the same With all of my running and all of my cunning

If I couldn't laugh I just would go insane

If we couldn't laugh just would go insane

A F C G D A D

13 DRINKIN’ GASOLINE 90 train beat

140 SIMPLE IS BETTER

Well I'm driving down the road in my Cadillac
Travelling lies me by a road turning black
Drinking gasoline is a whole lotta do
Drinking gasoline to get over you
We were doing swell with a short way to hell on the hill

Well I met you in the desert at Sabriskey point
Out of gasoline; ran out of oil
Really fill my tank, you're quite Tuned me up
Drinking gasoline out of your silver cup
We were doing swell with a short way from hell on the hill

Well I drove ten thousand miles away from home
See no trap in jail, but ain't no desert spawn
Drinking silver cup is a whole lotta do
Drinking silver cup baby me and you
We were doing swell with a short way from hell on the hill

Lead Break

Engine started smoking and wings on fire
Big wheels started shaking and I lost a tyre
My baby she exploded drinking gasoline
That doggone that doggone that mean machine

We were doing swell with a short way from hell on the hill

HURT YOU FIRST HURT YOU FIRST

130 SIMPLE STRAIGHT

You're too good to me Fill me up when my glass looks empty

You always try to see A better version of me

I'm never waiting Cause I know that you'll always make it

And I can't take it You're just too calculated

It's you or me who breaks it all I can barely face it

It's you or me who takes the fall And I can barely take it

NOW GET QUIET FOR THIS TO HEAR CHORDS CLEARLY>

So I'm gonna hurt I'm gonna hurt you first I'm gonna hurt

I'm gonna hurt you first I'll be the one to make you cry

I'll be the one who gets to decide

Oh I'm gonna hurt you first

[Verse 2]

Are you guilty? Is there a secret that you're hiding?

My prince charming Yeah it's all a case of timing

Can you blame me? For protecting myself baby

You're too perfect Too perfectly orchestrated

[Pre-Chorus]

It's you or me who breaks it all I can barely face it

It's you or me who takes the fall And I can barely take it

So I'm gonna hurt I'm gonna hurt you first I'm gonna hurt I'm gonna hurt you first

I'll be the one to make you cry I'll be the one who gets to decide

Oh I'm gonna hurt you first

[Verse 3] Gonna make you cry Gonna say goodbye I'm gonna say good...

Gonna make you cry Uhhh IT WOULD BE NICE Try to say goodbye Gonna hurt you first

I'm gonna hurt you first I'm gonna hurt you first

I'm gonna make you cry I'll be the one to make you cry

I'll be the one who gets to decide Oh I'm gonna hurt you first

15 COMING UP

PAUL MCcARTNEY rockabilly works

or 120 simple

You want a love to last forever

One that will never fade away I want to help you with your problem Stick around, I say
It's coming up, it's coming up
Coming up (like a flower)Coming up (yeah)
You want a friend you can rely on One who will never fade away
I know you're searching for an answer Stick around, I say
CHORUS
You want a better kind of future One that everyone can share
You're not alone, we all could use it Stick around we're nearly there
It's coming up, it's coming up Coming up (like a flower) Coming up
You want a love to last forever One that will never fade away I'd like to help you with your problem Stick around, pretty baby, I say
It's coming up, it's coming up It's coming up (like a flower)
It's coming up, pretty baby, I wanna say
Coming up (only hour) Coming up (yeah yeah yeah) Coming up (pretty baby)
Coming up (oh, you better believe it) Coming up (like a flower)

1 16 JENNY ARE YOU GAY?

18 MY LOVE FOREVER MORE

· MY LOVE FOREVERMORE

80’s 150?

HILLBILLY MOON EXPLOSION drumbeat youtube

>>>Drum beat 120 BPM funk rock

So this song has a male and female part so I have to sing both. Therefore if you know this song you are welcome to sing the female part.

1 Am I'd like to pack this in, C and take you to the stars E we’ll eat at fancy restaurants anAmd drive in fancy cars

AmWe tried our luck, we made a buck,C so lean back have some fun. Oh yes my love but first just this ine last one

F We stood on a cliff on a Cstarless night I held your hand in myAm mine... so stand by me wCith all your heart, I need you by Ammy side

2 Oh, the river is cold and black and the bottom is a long way down

another one going underground Why can't we cut the ropes and let that poor fool go..

Don't go getting weak on me not when I need you so F C E Am F C E Am F We stood on a cliff in a starless night I held your hand in my mine...so stand by me with all your heart, I need you by my side

3 Dont lose your step, now we're almost there go wash Your face, and comb your hair

So trust me now, believe in me forever more your love, you have pledged to me.We stood on a cliff in a starless night I held your hand in my mine... so stand by me with all your heart, I need you by my side

4 We'll stay at home and C call this day our own, listen to a record and watch a candle burn I'm feeling kind of drowsy there's blood on the floor. And when I'm gone you still will have my love forevermore

19 19 WALK LIKE A MAN

still noit certain of that chorus

GROOVE BEAT!!!

1 OH HOW YOU tried, to cut me down to si-yize

2 Bye Bye baby

1 Oh how you tried to cut me down to size Tellin' dirty lies to my friends
But my own father said give her up, don't bother The world isn't comin' to an end
(He said) Walk like a man, talk like a man Walk like a man my son
No woman's worth crawlin' on the earthSo walk like a man, my sonOh, walk, walk, walk, walk
2 Oh Bye bye baby, I don't-a mean maybe Gonna get along somehow
Soon you'll be cryin' on account of all your lyin' Oh yeah, just look who's laughin' now
(I'm gonna) Walk like a man, fast as I can Walk like a man from you
I'll tell the world forget about it, girl And walk like a man from you

20 HILLBILLY HIGHWAY

HILLBILLY HIGHWAY HILLBILLY HIGHWAY Steve Earle

Simp 130

My granddaddy was a miner, but he finally saw the light
He didn't have much, just a beat-up truck and a dream about a better life
Grand mama cried when she waved goodbye, never heard such a lonesome sound
Pretty soon the dirt road turned into blacktop, Detroit City bound
Down that hillbilly highway
On that hillbilly highway That old hillbilly highway Goes on and on

Now he worked and saved his money so that one day he might send
My old man off to college, to use his brains and not his hands
Grand mama cried when she waved goodbye, never heard such a lonesome sound
But daddy had himself a good job in Houston, one more rollin' down

that old hillbilly highway That old hillbilly highway That old hillbilly highway Goes on and on
On and on, on and on Here it goes

Granddaddy rolled over in his grave the day that I quit school
I just sat around the house playin' my guitar, Daddy said I was a fool
My mama cried when I said goodbye, I never heard such a lonesome sound
Now I'm standin' on this highway and if you're going my way
You know where I'm bound

Bound that hillbilly highway On that hillbilly highway
That old hillbilly highway Goes on and on
Hmm, yeah that's the road I'm on it

22 skinhead love affair

SKINHEAD LOVE AFFAIR 80’s 150 works real good

I met her at a ballroom gig she said my braces were to big i said "i like your 2tone clothes" she said "I like you're broken nose" i bought her alot of drinks that night she bought me nothing but a fight she said i wasnt mister right its over its over its over it was a skinhead love affair you know a skinhead love affair

i took her down the last resort she stole a shirt,I went to court she said she'd always stand by me even when i did D.C

i thought about her everyday like lovers do when they're away she never came to visit me its over its over its over it was a skinhead love affair you know a skinhead liove affair

on the day that I got out my skinhead girl she werent about she got herself a soul girl perm joined

the Canvey Island Firm i got down on bended knee

and asked her if she'd marry me she said "SKINHEAD CANT YOU SEE?" its over its over its over it was a skinhead love affair you know a skinhead love affair just a skinhead in love just a skinhead in love a skinhead,a skinhead, a skinhead in love im just a skinhead in love (repeat to end)

23 BAD TO ME

E E/D# C#m

If you ever leave me, I'd be sad and blue
G#m                         F#m              Gaug
Don't you ever leave me, I'm so in love with you 
    E            G#m         C#m
The birds in the sky would be sad and lonely
        E         G#m      C#m
If they knew that I lost my one and only,
          A             B7     E   G#m  B7
They'd be sad if you're bad to me
 
    E             G#m           C#m
The leaves on the trees would be softly sighin'
        E              G#m            C#m
If they heard from the breeze that you left me crying,
          A             B7     E    N.C.
They'd be sad, don't be bad to me
 
               A                         B7
But I know you won't leave me 'cause you told me so,
E                    C#7
I've no intention of letting you go,
A                   B7               F#m             Gaug
Just as long as you let me know, you won't be bad to me 
       E            G#m         C#m
So the birds in the sky won't be sad and lonely
            E         G#m     C#m
'Cause they know that I got my one and only
           A               B7     Bm     C#7
They'll be glad you're not bad to me
 
           F#m             B7     E   G#m   F#m   B7
They'll be glad you're not bad to me
   E   G#m   F#m   B7
To me
   E   G#m   F#m   B7
To me

24 I KNOW YOU

Surf drum beat

1 I know you

2 I'm a fool

24 don’t dream its over

120 groove

There is freedom within, there is freedom without
Try to catch the deluge in a paper cup
There's a battle ahead, many battles are lost
But you'll never see the end of the road While you're traveling with me

Hey now, hey now Don't dream it's over Hey now, hey now
When the world comes in They come, they come To build a wall between us We know they won't win

2 Now I'm towing my car, there's a hole in the roof My possessions are causing me suspicion but there's no proof
In the paper today tales of war and of waste But you turn right over to the T.V. page

Hey now, hey now Don't dream it's over Hey now, hey now When the world comes in They come, they come To build a wall between us We know they won't win

3 Now I'm walking again to the beat of a drum And I'm counting the steps to the door of your heart
Only the shadows ahead barely clearing the roof Get to know the feeling of liberation and release

Hey now, hey now Don't dream it's over Hey now, hey now When the world comes in They come, they come To build a wall between us Don't ever let them win Songwriters: Neil Finn

We hear the same 30 songs over and over with classic rock, when the catalog for these 30 bands included well over 1000 songs. Where's the rest of the good songs? Let's bring back songs that have stood the test of time. Great songs that didn’t get the airplay and songs that need an update or are simply unrecognized classics that need a bigger beat. Truthfully the repetition has lulled America to sleep.

Then let’s abandon the formulaic idea of performance where the musical snobs seem to be the ones making the rules. The head trip dudes that grab your guitar and play “five songs easy to play at parties.” So many musicians looking to feed their egos and need for applause and I always found that to be the band breakers.

Metal is what I love tirelessly and Rockabilly is where I have found a nugget of energy that turns despair into joy. Metal turns that joy into momentum so intend to blend them into something unique understated and entertaining. Let’s do this.

25 LOVIN' YOU

130 simp

F                    A#7                  F
If you are wonderin' what I'm gonna do, while you
              A#7
are sleepin', am I sleepin' too?
A#7                                      F
Well, I'm just sittin' here lovin' you, close my
                D7
eyes and lovin' you.
G                      C                   F      C7
I'm just sittin' back, sittin' here lovin' you.
 
 
[Verse 2]
F                     A#7                     F
I have been wonderin' just what I would do, if I
                 A#7
weren't sleepin', had I not found you.
A#7                           F
I'd be outside findin' you, walkin' on the avenues
        D7
findin' you.
    G                      C                   F
But I'm just sittin' back, sittin' here lovin' you.
 
 
[Interlude]
A#7 F A#7 F
 
 
[Bridge]
A#7
Now the reasons never send me runnin' 'round.
F
Fingers on my forehead couldn't F#dim calm me down.
G
She can even get me up and on my feet
C
When I got to take care of some business on the street.
 
 
[Verse 3]
F                   A#7                     F
I have been walkin' all my streets alone, I would keep
           A#7
walkin' to keep from goin' home.
A#7                                         F
I couldn't quite clearly conceive of you
F#aug?now I can't conceive of ever leavin' you…
  G                         F
Cause I'm just sittin' back lovin' you..lovin' you,
 
lovin' you, lovin' you.
 
 
[Verse 4]
F                    A#7                  F
If you are wonderin' what I'm gonna do, while you
              A#7
are sleepin', am I sleepin' too?
A#7                                      F
Well, I'm just sittin' here lovin' you, close my
                D7
eyes and lovin' you.
G                           F
Cause I'm just sittin' here lovin' you, lovin' you,
 
lovin' you.. (Fade.)

26 REDNECK WOMAN

[Verse 1]
Well, I've done never
Read words that's typed
I don't like to solve problems with my words
I'd rather get drunk and fight
Whammy on my Grandma Or my littlelest
Or just random passerby
My boyfriend takes good care of me
And gave me these black eyes
No, I ain't got no degree
And I can't even write
Got my eleven kids with me
And not one dad in sight[Chorus]

Since I'm a redneck wI've never been to a mall
Just the product of the incest From my sister and my Pa
And I keep them engine car parts On my front yard all year long
Not that you can see 'em Since my lawn's so overgrown
Callin' all you white-trash skanks In Confederate Country
Get your hands off my man, bitch!Or you got to deal with me! 'Cuz I'm tough
Hell Yeah! (Hell Yeah!)
Verse 2
It's ain't no secret That my stuff's real prime
Get the number off that bathroom stall Call me for a good time
That's a real number
From myself So I's can find a good man
No, there's no such thing as a Sothern fag 'Cuz they've all dug my clam
You might think I'm nasty And you might call me poor
But in my mind and in my heart
(Offscreen): You're just a backwoods whore!
Hey! im a redneck woman And you stay off my land

My Grampy stole it fair and square
From that American Injun band
And my family's been residing here For over a hundred years
And we don't want our country filled with Immigrants and queers
So here to all out here screamin' loud "The South will rise again"
Let me get a big hell yeah From an one minute southern man
Hell Yeah! (Hell Yeah!)
[Verse 3]So I'm a redneck woman And that's all I am
Proud to be from the USA
The place that brought you spam
And I go to church on Sundays Cuz I'm a god-fearin woman
The preacher uses all big words That I don't understand
So here's to all the people That never cross that county line
Let's stay home in our shit towns
Until the end of time Hell Yeah! (Hell Yeah!)

27 MARY LOU

My roommate Don Francois grew up on a farm.. I grew up without a single pet, cat or dog. So one day I mentioned it might be fun to have a cat and he said the barn cat just had some kittens. We went to his parents farm and here wee 5 kittens just over a month old. Some ordinary colored cats and this guy. Distinctly different than the others I said I'd be willing to adopt this one but it was the one Dons mother wanted to keep. An aggresive player, we were drawn to each other and his mother relented. "Boy or girl?" and I was told "pretty sure it's a male." I named him Roger after my favorite ball player, Roger Maris. In the hallway of the flophouse Don and I were living at, I would throw a small bouncy ball Roger would chase as it ricocheted in every direction. I couldn't have asked for a more loving playful pet. I would take her to friends' house when I visited. Finally it came time to get Roger fixed and the vet said that he had transitioned to female.. So rough and tumble Roger became the ferocious, razor-clawed Mary Lou. At two years old we moved from Connecticut to Arizona. I walked her on a leash at an RV park in Indiana and we walked around a small pond at a rest stop in Kansas and nearly lost her in a cornfield in Nebraska. Our most memorable moment was spending the afternoon at Shiprock New Mexico. Unleashed there were no plants and I could see her easily. Then we packed in in and headed for Tucson. I lived at a friends for a couple weeks waiting for my roommates to arrive. Mary Lou had gotten a case of mange and had to fight with other cats while living under a Pontiac Tempest not to mention a totally insane neighbor dog that would get loose occasionally. Finally we settled in at 5801 Swinging A on the far west side and she became desert kitty.

28 SHUT DOWN

Tach it up, tach it up, buddy gonna shut you down

It happened on the strip where the road is wide

Two cool sharks standing side-by-side  (Ya)

My fuel-injected stingray and a 413 We're revin' up our engines and it sounds real mean

Tach it up, tach it up, buddy gonna shut you down

2    Declinin' numbers at an even rateAt the count of one we both accelerate

My Stingray is light, my slicks are starting to spin

and the 413's really diggin' in Gotta be cool now, power shift here we go

Super stock Dodge is winding out in low but

My fuel-injected Stingray's really startin' to go

To get the traction I'm ridin' my clutch

My pressure plate's burnin' that machine's too much

 (Saxophone/Guitar Solo)

Pedals to the floor, hear his dual quads drink

And now the 413's lead is startin' to shrink

He's hot with ram induction, but it's understood

I got a fuel-injected engine sittin' under my hood

Shut it off, shut it off, buddy now I shut you down

8 RED CLAY HALO

130 simple Gillian Welch}

{c:Key of A}

130 simple solo F#m

[A]All the girls all dance with the boys from the city,

And they don't care to dance with [E]me.

Now it [A]ain't my fault that the fields are muddy,

And the red clay [E]stains my [E]feet.

And it's [A]under my nails and it's under my collar, And it shows on my Sunday [E]clothes. Though I [A]do my best with the soap and the water,

But the darned old [E]dirt won't [A]go.

But [D]when I pass through the [A]pearly gate,

Will my [E]gown be gold in[A]stead? Or just a [D]red clay robe with [A]red clay wings,

And a [E]red clay halo for my [A]head

c:Preverse}

Now it's [A]mud in the spring and it's dust in the summer,When it blows in a crimson [E]tide.

Until [A]trees and leaves and the cows are the colour, Of the dirt on the [E]mountain[G]side.

But [D]when I pass through the [A]pearly gate,Will my [E]gown be gold in[A]stead?

Or just a [D]red clay robe with [A]red clay wings,And a [E]red clay halo for my [A]head

{c:Solo}

Now [A]Jordan's banks they're red and muddy,And the rolling water is [E]wide.

But I [A]got no boat, so I'll be good and muddy,When I get to the [E]other [A]side.

29 THE LETTER

The Letter - The Box Tops

138

Written by Wayne Carson Thompson
 
 
[Verse 1]
Am                      F
Give me a ticket for an aeroplane
G                        D
Ain't got time to take a fast train
Am                    F
Lonely days are gone, I'm a-goin' home
         E                    Am
Cause my baby just wrote me a letter
 
 
[Verse 2]
Am                            F
I don't care how much money I gotta spend
G                     D
Got to get back to my baby again
Am                    F
Lonely days are gone, I'm a-goin' home
   E                    Am
My baby just wrote me a letter
 
 
[Chorus]
         C          G
Well she wrote me a letter
         F        C            G
Said she couldn't live without me no more
C             G
Listen mister can't you see
  F          C            G
I got to get back to my baby once more
E
Anyway
 
 
[Verse 3]
Am                      F
Give me a ticket for an aeroplane
G                        D
Ain't got time to take a fast train
Am                    F
Lonely days are gone, I'm a-goin' home
         E                    Am
Cause my baby just wrote me a letter
 
 
[Chorus]
         C          G
Well she wrote me a letter
         F        C            G
Said she couldn't live without me no more
C             G
Listen mister can't you see
  F          C            G
I got to get back to my baby once more
E
Anyway
 
 
[Verse 4]
Am                      F
Give me a ticket for an aeroplane
G                        D
Ain't got time to take a fast train
Am                    F
Lonely days are gone, I'm a-goin' home
         E                    Am
Cause my baby just wrote me a letter
         E                    Am
Cause my baby just wrote me a letter

30 Its My Party chords

It's my party and I'll cry if I want to

D Dm

Cry if I want to, cry if I want to

A F#m Bm E A D A E

You would cry too if it happened to you

Nobody knows where my Jenny has gone But Judy left the same time Why was she holding her hand When she's supposed to be mine

It's my party and I'll cry if I want to

Cry if I want to, cry if I want to

A F#m Bm E A D A E

You would cry too if it happened to you

2 Play all my records, keep dancing all night

But leave me alone for a while 'Til Jenny's dancing with me

I've got no reason to smile

It's my party and I'll cry if I want toCry if I want to,

A F#m Bm E A D A E

You would cry too if it happened to you

[instrumental break over chorus chords (substitute F# for F#m)]

Judy and Jenny just walked through the door

Like a queen and her king Oh, what a birthday surprise

Judy's wearing his ring

It's my party and I'll cry if I want to

Cry if I want to, cry if I want to

30 THIS KISS E F#Faith Hill - This kiss

^B I don't want another ^G#mheartbreak, I don't^Aneed another turn to^F#mcry, no

^B I don't want to learn the ^G#mhard way, Baby ^Ahello, oh ^F#mno, goodbye,^B but you got me like a ^G#mrocket,shooting ^Astraight across the ^Asky,E (G# bassit's the way you love me,^A it's a ^Bfeeling like this,E (G# bass)it's centrifugal motion,^A it's per^Bpetual bliss,E (G# bass it's that pivotal moment,^A It's ah, im^BpossibleE (G# bass) A C#m B

this kiss, this kiss, unstoppableE (G# bass) A C#m B this kiss, this kiss^B

cnderella said to ^G#mSnow White How does ^Alove get so off ^F#mcourse, oh ^B All I wanted was a ^G#mwhite knight With a ^Agood heart, soft touch, ^F#mfast horse ^B Ride me off into the ^G#msunset Baby, ^AI'm forever ^Ayours,

E (G# bass)

it's the way you love me, ^A it's a ^Bfeeling like this,E (G# bass)

it's centrifugal motion, ^A it's per^Bpetual bliss,E (G# bass) it's that pivotal moment,

^A It's ah, un^Bthinkable E (G# bass) A C#m this kiss, this kiss, unsinkable

E (G#m bass) A C#m B this kiss, this kiss

^C You can kiss me in the ^Am7moonlight on the ^Drooftop under the ^Gsky, oh

^C You can kiss me with the ^Am7windows ope while the ^Drain comes pouring in^Gside, oh

^C Kiss me in ^Am7sweet slow motion^DLet's let everything ^Gslide, ^Esus4 You got me floating you ^Bgot me flying,

F# (A# bass it's that pivotal moment ^B it's ah ^C#subliminal F# (A# bass) B D#m C# This kiss, this kiss It's criminal... F# (A# bass) B D#m C#This kiss, this kiss F# (A# bass) B D#m C#

it's the way you love me babyF# (A# bass) B D#m C#

it's the way you love me darlin'

F# (A# bass)

It's the way you love me ^B it's a ^C#feeling like this F# (A# bass)it's centrifugal motion ^B it's pe^C#rpetual blissF# (A# bass) it's that pivotal moment^B it's ah ^D#m sub^C#liminal F# (A# bass) B D#m C# This kiss, this kiss, It's criminal... F# (A# bass) B This kiss, this kiss ^F# it's the way you love me ^Bbaby ^F# it's the way you love me ^BdarliN

31 UNDERDOG

32 JUDYS TURN TO CRY

Judys Turn To Cry chords

by Lesley Gore

A+

[1: 'Cause 2,3: But 4: So 5: Yeah] now it's

D Dmaj7

Judy's turn to cry Judy's turn to cry

D Bm

Judy's turn to cry

G A

'Cause Johnny's come back (Johnny's come back, come back)

D A

To me

Oh, when Judy left with Johnny at my party (my party)

D A7

And came back wearing his ring

D Eb

I sat down and cried my eyes out Now that was a foolish thing

Well, it hurt me so to see them dance together (together)

I felt like making a scene

Then my tears just fell like raindrops

'Cause Judy's smile was so mean

Verse 3:

One night I saw them kissin' at a party (a party)

So I kissed some other guy

Johnny jumped up and he hit him

'Cause he still loves me, that's why

33 Hold On Loosely 4/4 130

36 Special

E/Eb D D/C#

1) You see it all around you - good lovin' gone bad.

E E/Eb D D/C#

And usually it's too late when you realize what you had.

C D

And my mind goes back to a girl I left some years ago, who told

me,

E E/Eb D A /C#-D-E)

"Just Hold On Loosely, but don't let go.

E E/Eb D A

If you cling too tightly, you're gonna lose control.

F#m B

Your baby needs someone to believe in

F#m A

And a whole lot of space to breathe in."

2) It's so damn easy when your feelings are such

To overprotect her, to love her too much.

And my mind goes back to a girl I left some years ago, who told

If you cling too tight, babe, you're gonna lose control.

F#m B

Your baby needs someone to believe in

F#m A

And a whole lot of space to breathe in."

G D G D G D G D

Don't let her slip a- D A D A D A D A

way, sentimental

G D G D G D G D

fool, Don't let your heart get

D A D A-A# B

in her way.

3) You see it all around you - good lovin' gone bad.

And usually it's too late when you realize what you had.

E E/Eb D A /C#-D-E)

So Hold On Loosely, but don't let go.

E E/Eb D A

If you cling too tight babe, you're gonna lose control.

F#m B

Your baby needs someone to believe in

F#m A

And a whole lot of space to breathe in.

OUTTRO: E E/Eb D A (D/Db-D-E)

So Hold On Loosely, but don't let go.If you cling too tight babe, you're gonna lose it --

You're gonna -- lose control.

34 SUNNY AFTERNOON

GROOOVE BEAT 120

Dm|The taxman's taken all my dough, C and left me in my stately home,

A A/G A/F A/E Dmlazin' on a sunny afternoon.

CAnd I can't sail my yacht F C he's taken everything I've got.

All I've got's this sunny afternoon.

Chorus:D G7

Save me, save me, save me from this squeeze,

C7 F A7

I've got a big fat mama tryin' to break me.

Dm G7

And I love to live so pleasantly, Dm G7 C7 Live this life of luxury,

F A7 Dm

lazin' on a sunny afternoon, In the summertime..

In the summertime, in the summertime..

Dm C

2 My girlfriend's run off with my car, And gone back to her ma and pa.

Tellin' tales of drunkenness and cruelty. C Now I'm sittin' here, F C Sippin' at my ice-cooled beer, All I've got's this sunny afternoon.

Help me, help me, help me sail away,or give me two good reasons why I oughta stay

Dm G7 Cuz I love to live so pleasantly, Live this life of luxury,

F A7 Dm lazin' on a sunny afternoon,

In the summertime, in the summertime.. Dm

D G7

Save me, save me, save me from this squeeze, C7 F A7 I've got a big fat mama tryin' to break me And I love to live so pleasantly, Live this life of luxury,

F A7 Dm lazin' on a sunny afternoon

HOW DOES IT END

35 HEADS CAROLINA TAILS CALIFORNIA

Baby what do you say we just get lost leave this one horse like two revels without a cause

I got people in Boston aint you r daddy still in desMoinesWe can load what we own in the back of a U-Haul van

Couple of modern day Moses' searching for the promised land

     We can go four hundred miles before we stop for gas

We can drive for a day and then we'll take a look at the map

 Heads Carolina, tails California

 Somewhere greener, somewhere warmer

Up in the mountains, down by the ocean

 Where, it don't matter as long as we're going

 Somewhere together, I've got a quarter

 Heads Carolina, tails California

We're gonna get outta here

If we have to ride a Greyhound bus

 Boy we're bound to outrun The bad luck that's been tailing us

 Heads Carolina, tails California Somewhere greener, somewhere warmer

 Up in the mountains, down by the oceanWhere, it don't matter as long as we're going

 Somewhere together, I've got a quarter Heads Carolina, tails California

D  A  G   A             D  A  G  A

       O---oh, California!

MORE SONGS TO CONSIDER FROM "The Last One" playlist

[Verse]
B
Debbie just hit the wall
E
She never had it all
G#m
One Prozac a day
F#
Husband's a CPA
B
Her dreams went out the door
E
When she turned 24
G#m
Only been with one man
F#
What happened to her plan?
B
She was gonna be an actress
E
She was gonna be a star 
G#m
She was gonna shake her ass(ass)
F#
On the hood of White Snake's car
B              E
Her yellow SUV is now the enemy
G#m
Looks at her average life
F#
And nothing, has been...
N.C.
all right since
 
[Chorus]
B
Bruce Springsteen, Madonna
E
Way before Nirvana (1985)
G#m
There was U2 and Blondie
A
And music still on MTV
B
Her two kids in high school
E
They tell her that she's uncool
G#m
Cuz she's still preoccupied
A
With 19, 19, 1985
B               E
Woo Hoo Hooooo!  (1985)
G#m             F#
Woo Hoo Hooooo!
 
[Verse]
B
She’s seen all the classics
E
She knows every line
G#m
"Breakfast Club", "Pretty In Pink"
F#
Even "St. Elmo's Fire"
B
She rocked out to Wham!
E
Not a big Limp Bizkit fan
G#m
Thought she'd get a hand
F#
On a member of Duran Duran
B                      E
Where's the mini-skirt made of snakeskin?
G#m                            F#
And who's the other guy that's singing in Van Halen?
B                E
When did reality become TV?
G#m                   F#
What ever happened to sitcoms, game shows,
N.C.
(on the radio)
 
[Chorus]
B
Springsteen, Madonna
E
Way before Nirvana
G#m
There was U2 and Blondie
A
And music still on MTV
B
Her two kids in high school
E
They tell her that she's uncool
G#m
Cuz she's still preoccupied
A
With 19, 19, 1985
B               E
Woo Hoo Hooooo!  
G#m             F#
 
B               E
She hates time, make it stop
G#m                  F#
When did Motley Crue become classic rock?
B                 E
And when did Ozzy become an actor?
G#m              F#
Please make this stop, stop, STOP...
N.C.
and bring back
 
[Chorus]
B
Springsteen, Madonna
E
Way before Nirvana (1985)
G#m
There was U2 and Blondie
A
And music still on MTV
B
Her two kids in high school
E
They tell her that she's uncool
G#m
Cuz she's still preoccupied
A
1985 (Woo Hoo Hoo)
 
B
Bruce Springsteen, Madonna
E
Way before Nirvana (1985)
G#m
There was U2 and Blondie
A
And music still on MTV
B
Her two kids in high school
E
They tell her that she's uncool
G#m
Cuz she's still preoccupied
A
With 19, 19, 1985


 Always see it on TV
D#
 Or read it in the magazines
F#                       C#
 Celebrities want sympathy
C#
 All they do is piss and moan
D#
 Inside the Rolling Stone
  F#                           C#
Talking about how hard life can be
 
 
[Pre-Chorus]
 
A#m                               F#
  I'd like to see them spend the week
                          C#
Livin' life out on the street
                             G#
I don't think they would survive
A#m                              F#
  If they could spend a day or two
                            C#
Walking in someone else's shoes
                                   G#
I think they'd stumble and they'd fall
            F#
They would fall
 F#m
(Fall)
 
 
[Chorus]
 
 C#                             D#
Lifestyles of the rich and the famous
                    F#
They're always complaining
            C#
Always complaining
     C#              D#
If money is such a problem
                F#
Well they got mansions
                 C#
Think we should rob them
 
 
[Verse 2]
 
           C#
Did you know when you were famous
 
You could kill your wife
             D#
And there's no such thing as
                 F#
25 to life as long as you've got the cash
             C#
To pay for Cochran
               C#
And did you know if you were caught
 
And you were smoking crack
    D#
McDonald's wouldn't even want to take you back
           F#                            C#
You could always just run for mayor of D.C.
 
 
[Pre-Chorus]
 
A#m                               F#
  I'd like to see them spend the week
                          C#
Livin' life out on the street
                             G#
I don't think they would survive
A#m                              F#
  If they could spend a day or two
                            C#
Walking in someone else's shoes
                                   G#
I think they'd stumble and they'd fall
            F#
They would fall
 
 
[Chorus]
 
 C#                             D#
Lifestyles of the rich and the famous
                    F#
They're always complaining
            C#
Always complaining
     C#              D#
If money is such a problem
                F#
Well they got mansions
                 C#
Think we should rob them
 
 
[Interlude]
 
C# C# C# C#
C# C# C# F#m
 
 
Lifestyles of the rich and the famous
 
 C#                             D#
Lifestyles of the rich and the famous
                    F#
They're always complaining
            C#
Always complaining
     C#              D#
If money is such a problem
                  F#
You got so many problems
               C#
Think I could solve them
 
 
[Chorus]
 
 C#                             D#
Lifestyles of the rich and the famous
                  F#
We'll take your clothes, cash cards
                          C#
And homes, just stop complaining
 F#                C#
Lifestyles of the rich and famous
 F#                C#
Lifestyles of the rich and famous
 F#                C#
Lifestyles of the rich and famous
Suwannee Chords
 by Pillbox Patti
37 views, added to favorites 6 times
From 2022. Link to the song: https://youtu.be/EJohiue6W2Q. Was this info helpful?
Difficulty: intermediate
Tuning: E A D G B E
Key: F#
Capo: 2nd fret
Author Neckwringer [a] 297,706. Last edit on Oct 23, 2022
CHORDS
F#
1 of 16
B
1 of 16
D#m
1 of 14
E
1 of 29
STRUMMING
EditIs this strumming pattern correct?
1
&
2
&
3
&
4
&
SUWANNEE
As recorded by Pillbox Patti
(From the 2022 Album FLORIDA)
 
 
Capo 2nd fret.
If you don't want to use a capo transpose +2 steps.
 
 
[Intro]
F#
 
 
[Verse 1]
F#
High school mothers wearin' coochie-cutters
F#
Spreadin' it like butter on some Bunny bread
F#
OE 40's, Newport shorties
F#
Ain't even old enough to buy 'em yet
F#
Big-ass earrings like a hula-hoop
F#
Puff, puff, pass just like an alley-oop
F#
OG chickenheads sittin' on a stoop
F#                          N.C.
Cops roll by, hit it twice (Woo, woo)
 
 
[Chorus]
    F#            B
Way down upon the Suwanee river
D#m
That's where I come from
B
That's where I come from
F#            B
Where the sun shines forever
D#m
It's deep in my blood
B
You know I grew up
F#                         B
Barefoot drivin' with some bugs on the bumper
D#m                 B
Freebird free in an еndless summer
F#            B
Down upon the Suwanee rivеr
D#m                   B
That's where I come from
 
 
[Verse 2]
F#
Lawnchair lizards, gas station gizzards
F#
Layin' there, waitin' on a hurricane
F#
Camel Cash speakers, "Funky Cold Medin-ers"
F#
Sippin' on some Country Time lemonade
F#
Rusty-ass weed-wacker layin' on the lawn
F#
Mickey Mouse T-shirt, I ain't never gone
N.C.
Yankees took the beach, left us with the swamp
 
 
[Chorus]
    F#            B
Way down upon the Suwanee river
D#m
That's where I come from
B
That's where I come from
F#            B
Where the sun shines forever
D#m
It's deep in my blood
B
You know I grew up
F#                         B
Barefoot drivin' with some bugs on the bumper
D#m                 B
Freebird free in an еndless summer
F#            B
Down upon the Suwanee rivеr
D#m                   B
That's where I come from
 
 
[Guitar Solo]
F# B  D#m  B
F# B  D#m
 
 
[Bridge]
B                           D#m
Thanks for throwin' us some shade
        E      B
We were hot anyway
    N.C.
Way down upon the Suwanee river
 
 
[Chorus]
    F#            B
Way down upon the Suwanee river
D#m
That's where I come from
B
That's where I come from
F#            B
Where the sun shines forever
D#m
It's deep in my blood
B
You know I grew up
F#                         B
Barefoot drivin' with some bugs on the bumper
D#m                 B
Freebird free in an еndless summer
F#            B
Down upon the Suwanee rivеr
D#m                   B
That's where I come from
 
 
[Outro]
F# B F#  B  F#

Difficulty:	intermediate
Tuning:	E A D G B E
Key:	F#
Capo:	2nd fret

[Intro]
Gm   Ebmaj7   Cm7   Ebmaj7 (x2)  C     Gm
 
[Verse]
Gm7
Steppin' out the weekends open wide, fill it up, let's blast the jams and die
Em          Bm         C            D       Em     Bm         C     D
While we're cruisin' a-round in the street, listen up for the party beat
Em      Bm              C              Bm            D     Eb
Slap me five that's the place we've ar-rived, it's a-live, everybody take it to the top
 
[Chorus]
            Gm        Eb    Cm7                  Eb
We're gonna stomp all night in the neighborhood, gonna feel alright
Gm              Eb     Cm7          Eb               C      Gm7
Gonna stomp all night, wanna party, till the morning light,     Runnin', runnin', runnin' (runnin' all night)
 
[Verse]
Gm7
The set is hot, there's people wall to wall, old ones young things short ones standing tall
Em          Bm           C            D        Em      Bm             C            D
So grab the one with the smile on her face and hit the floor and stay right on the case
    Em      Bm         C               Bm         D     Eb
The heat is on and the funk just won't leave us a-lone, everybody take it to the top
 
[Chorus]
            Gm        Eb    Cm7                  Eb
We're gonna stomp all night in the neighborhood, gonna feel alright
Gm              Eb     Cm7          Eb               Gm
Gonna stomp all night, wanna party, till the morning light
            Gm        Eb    Cm7                  Eb
We're gonna stomp all night in the neighborhood, gonna feel alright
Gm              Eb     Cm7          Eb               C         Gm7
Gonna stomp all night, wanna party, till the morning light,    Stomp!
 
[Bridge]
Gm7
Stomp, step down in it, Put your foot where you feel the fit
Gm                                                                      Cm
Stomp, you don't want to quit, Put your heels where you're feeling it   (Keyboard Riff)
 
[Chorus]
            Gm        Eb    Cm7                  Eb
We're gonna stomp all night in the neighborhood, gonna feel alright
Gm              Eb     Cm7          Eb               C       F  C
Gonna stomp all night, wanna party, till the morning light,     Well, well, well
Gm        Eb    Cm7                  Eb
Stomp all night in the neighborhood, don't it feel alright
Gm              Eb     Cm7          Eb               Gm
Gonna stomp all night, wanna party, till the morning light
            Gm        Eb    Cm7                  Eb
We're gonna stomp all night in the neighborhood, don't it feel alright
Gm              Eb     Cm7          Eb               C         Gm7
Gonna stomp all night, wanna party, till the morning light,    Stomp!
 
[Outro]
Gm7
Stomp, step down in it, put your foot where you feel the fit
Gm7
Stomp, you don't want to quit, put your heel where you're feeling it (take it to the top)
Gm7
Stomp, step down in it, put your foot where you feel the fit
Gm7
Stomp, you don't want to quit, put your heel where you're feeling it (Repeat & Fade)

36 TAPESTRY

  E               B7          E              B7
My life has been a tapestry of rich and royal hue,
   E           B7            E            B7
an everlasting vision of the everchanging view,
  F#m7           B        A                B
a wondrous woven magic in bits of blue and gold,
  Amaj7       G#m7            F#m         B7
a tapestry to feel and see, impossible to hold.
 
Emaj7         B9          Emaj7          B9
Once amid the soft silver sadness in the sky
      E             B9         E               B7
there came a man of fortune, a drifter passing by
   F#m7            B                A                  B
he wore a torn and tattered cloth around his leathered hide
      Amaj7        G#m7           F#m             B7       F#m7 B7
and a coat of many colors, yellow-green on either side.
 
   G                 D7sus  D7     Gmaj7        D7
He moved with some uncertainty, as if he didn't know
G                D7sus D7      Gmaj7             D7
just what he was there for, or where he ought to go
B                   Gb7              Abm7           B
once he reached for something golden hanging from a tree
        Emaj7               Gb
and his hand came down - empty.
 
E              B7         E              B7
Soon within my tapestry along the rutted road
   E             B7             E             B7
he sat down on a river rock and turned into a toad,
   F#m7               B           A                B
it seemed that he had fallen into someone's wicked spell,
      Amaj7           G#m7             F#m             B7
and I wept to see him suffer, though I didn't know him well.
 
F               C7            F          C7
As I watched in sorrow, there suddenly appeared
  F               C7        F               C7
a figure gray and ghostly beneath a flowing beard
   Gm7              C              Bb                  C
in times of deepest darkness, I've seen him dressed in black
       Bbmaj7        Am7            Gm              C7
now my tapestry's unravelling; he's come to take me back,
     Gm7             D9sus  Dm7/4
he's come to take me back.
 
F    C7    F    C7    F.
 
D9sus = x00553
Dm7/4 = x00011

37 CALL ME MAYBE

CALL ME MAYBE 4/4 drum beat

I threw a wish in the well, Don't ask me, I'll never tell I looked to you as it fell, and now you're in my way I trade my soul for a wish, pennies and dimes for a kiss I wasn't looking for this, but now you're in my way G Your stare was holdin', Ripped jeans, skin was showin' Hot night, the wind was blowin' Where you think you're going, baby Hey, I just met you, and this is crazy, but here's my number, so call me, maybe? It's hard to look right, at you baby,(all the boys are trying to taste me) but here's my number,    so call me, maybe?

You took your time with the call,   I took no time with the fall

You gave me nothing at all,   but still, you're in my way I beg, and borrow and steal   I Have foresight and it's real I didn't know I would feel it, still it's in my way

 Your stare was holdin', Ripped jeans, skin was showin'

          Hot night, wind was blowin' Where you think you're going, baby?

 Hey, I just met you,     and this is crazy, but here's my number,    so call me, maybe?

And all the other boys are trying to chase me so here's my number so call me maybe

      Before you came into my life I missed you so bad

              I missed you so bad   I missed you so, so bad

 Before you came into my life I missed you so bad

And you should know that   I missed you so, so bad

Hey I just met you BUT HERES MY NUMBER SO CALL ME MAYBE

  It's hard to look right,   at you baby,but here's my number,    so call me, maybe?

Hey, I just met you,    and this is crazy,but here's my number,   so call me, maybe?

And all the other girls,    try to Tase me but here's my number,    so call me, maybe?  Make up ending cho

38 TOMBSTONE SHADOW

TOMBSTONE SHADOW G1 D5

Groove beat lots of solos

TOMBSTONE SHADOW stretchin' across my path.
Tombstone shadow, stretchin' across my path.
Ev'ry time I get some good news, ooh,There's a shadow on my back

.2Saw the gypsy man, 'way down in san berdoo. Said, I saw the gypsy man, 'way down in san berdoo. Five dollars on the table, ooh, Keep me 'way from my tomb.
3 BRIDGE OR WHATEVER IT IS Said I got thirteen months of bad luck,
Bound to be some pain. Don't you do no trav'lin', Fly in no machines.
Tombstone shadow, stretchin' across my path. Every time I get some good news, ooh,There's a shadow on my back.

4 The man gave me a luck charm, cost five dollars more,
Said, "put some on your pillow, and put some on your door."

He said, "take a long vacation, ooh, For thirteen months or more."
Oh, lord! 5 Tombstone shadow, stretchin' across my path.
Tombstone shadow, stretchin' across my path. Every time I get some good news, ooh,

There's a shadow on my back.Oh, oh, lord!Oh, lord!

39 DARK DREAM

VOICE RECORDER 5/22/18 PRACTICE THE BASS PARTS WITH THIS AND RECORD ON PHONE WHEN IT WORKS

1 THERE was a girl I could have loved but no I left for space

There is IS A NAME FOR WHAT i DO YOU KNOW i CAN NEVER BE TRUE

gIGOLO YES i'M HEADED FOR FAME BUT NOW i WISH i KNEW YOUR NAME

2 SINCE IVE BEEN ALL AROUND THE WORLD NOTHING LEFT TO SEE MILLIONS OF PLANETS MOONS AND BARS LOTS OF GIRLS TO MEET

iVE BEEN TO vENUS BEEN TO mARS ive even been to the black hole zoo

I've crossed a million mile void just to be here tonight with you

REMEMBER Eb E Bb E

3 added sedative effect measures lose their meaning sleep wins and then I start to dream

1 I was walking through the night when i heard something call was it a deathly scream of fright or was it nothing at all

2 So up the path i went f and now I know what it meant a new shipment had come by rail

3 There I was in a strange place I had no voice at all I couldn’t see very far in front of me 4 Connecting parts control of them now they rule themselves

1 Electric beam bring had to life then it moves a way fight another world war our only human function

40 WHEN SHE SEES ME SEE
PELICAN BOOK FOR LYRICS
1 WHEN I FIND

2-WHEN … THERE’S NO LOVE

3/4-SOLOS

5AND THEN SOMETIMES I COME HOME AT NOON

6 IN HER PRIVATE MOMENTS I DON’T SHAKE HER

41 THE CHEATER
memorize it

42 SURF CITY Ramones - Surf City: chords

            G                     Em
I bought a '30 Ford wagon and we called it a woody, G
Surf City here we come
               G
You know it's not very cherry,
        Em
it's an oldie but a goody,
G         Em
Surf City here we come
         C                        Am
Well, it ain't got a back seat or rear window
C                            D
but it still gets me where I wanna go
Yeah, we're goin' to Surf City,
'cause it's two to one
                G
You know we're goin' to Surf City,
gonna have some fun
                C
You know we're goin' to Surf City,
'cause it's two to one
                G
You know we're goin' to Surf City,
gonna have some fun, yeah

They say they never roll the scoops
Because there's always something goin
Surf City, here we come
You know, they're either out surfing
or they got a party growin
Surf City, here we come
Well it's two surfin honey for every guy
And all you got to do is just wink your eye
Chorus
And if my woody breaks down
I'll get somewhere as a surfer Surf City,
here we come
I'll strap my board to my back and hitch
a ride in my wet-suit Surf City, here we come
And when I get to Surf City,
I'll be shooting pearl
And checking out the parties for surfer girls

STAY GONE 43
44 ANOTHER ONE IN G

Brenda Put Your Bra On Chords

by Ashley McBryde & Caylee Hammack & Pillbox Patti

1,759 views, added to favorites 301 times

BRENDA PUT YOUR BRA ON
As recorded by Ashley McBryde, Caylee Hammack & Pillbox Patti
(From the 2022 Album ASHLEY McBRYDE PRESENTS: LINDEVILLE)
 
 
 
[Intro]
G C G   C G   C G
C G   C G   N.C.
G
 
 
[Chorus]
G
Brenda, put your bra on, there's trouble next door
G
Grab a pack of cigarettes and meet me on the porch
G
Marvin baby mama 'bout to catch him with a whore
G
Brenda, put your bra on (Bra on, bra on)
 
 
[Verse 1]
G
I knew she shouldn'ta let that bitch watch her baby
G
I used to work with her at the Krystal
G
She always got them good shifts just 'cause she had good tits
G
And cut her shirts off at the middle
 
 
[Chorus]
C
Brenda, put your bra on, it's just gettin' good
G
Shit's goin' down in the trailerhood
C
Pants 'round his ankles, still sportin' wood
G
Brenda, put your bra on (Bra on, bra on)
G
Brenda, put your bra on (Bra on, bra on)
 
 
[Verse 2]
G
Well, did you hear that? There went the good dishes
G
I hope they don't knock out the cable
G
Ol' Suntan City won't look quite as pretty
G
When Tina puts that ass through a table
 
 
[Chorus]
C
Brenda, put your bra on, there's trouble next door
G
Grab a pack of cigarettes and meet me on the porch
C
Marvin baby mama put that whore on the floor
G
Brenda, put your bra on (Bra on, bra on)
G
Brenda, put your bra on (Bra on, bra on)
G
Put it on
 
 
[Guitar Solo]
C             G     C   D
   Put it on, shit
C   G   C   D
 
 
[Out-Chorus]
C
Brenda, put your bra on, here comes Channel 4
G
We ain't never been on the TV before
C
Grab the marijuana, stick it down your drawers
G
Brenda, put your bra on (Bra on, bra on)
G
Brenda, put your bra on (Bra on, bra on)
G
Brenda, put your bra on (Bra on, bra on)
                 D      G
Brenda, put your bra on

44 brown eyed handsome man Key?

45 Sugar Shack: SUGAR SHACK

k: Jimmy Gilmer and the Fireballs
#1 in 1963
 
INTRO:
G C (x4)
 
#1.
C         G            C       G        C      G C G C
There's a crazy little shack beyond the tracks,
    G         C            G     C     G C G C
and everybody calls it the sugar shack.
           Am7                         D9
Well, it's just a coffeehouse and it's made out of wood.
Am7                   D9
Espresso coffee tastes mighty good.
Am7                            D9
That's not the reason why I've got to get back,
        G     C      G     C             G     C    G C
To that sugar shack, whoa, baby, to that sugar shack.
 
#2.
C            G           C               G      C    G C G C
There's this cute little girlie, she's a-workin there.
G        C             G        C   G C G C
Black leotards and her feet are bare.
          Am7                    D9
I'm gonna drink a lotta coffee, spend a little cash..
Am7                           D9
make that girl love me when I put on some trash.
Am7                         D9
You can understand why I've got to get back,
        G     C      G     C             G     C      G     C
to that sugar shack, whoa, baby, to that sugar shack, yeah, honey,
        G     C      G     C            G     C    G C
to that sugar shack, whoa, yes, to that sugar shack.
 
#3.
C        G           C        G          C             G C G C
Now that sugar shack queen is married to me, yeah, yeah.
        G              C              G   C        G C G C
We just sit around and dream of those old memories.
        Am7                          D9
Ah, but one of these days I'm gonna lay down tracks..
Am7                      D9
in the direction of that sugar shack..
Am7                           D9                    G     C
just me and her, yeah, we're gonna go back to that sugar shack..
G     C             G     C      G     C             G     C
whoa, whoa, to that sugar shack, yeah, honey, to our sugar shack.
 
OUTRO:
G     C             G     C      G     C             G     C
whoa, whoa, to that sugar shack, yeah, honey, to our sugar shack..(Fade.)

46 RIDIN' IN MY CAR NRBQ

NRBQ: Ridin' In My Car, 1977 single written by Al Anderson, in G Major

Chords:

G(2nd octave):xx5787, Bm7/F#:x997x, Am7/E:x7558x,

Am/D:x57555, Cadd13:8x9x, C:8x98x, Gsus4:3x5533,

G7(#5):xx3443, D6:99777.

Intro riff (played over verse chords):

E: 7 - - 7 - - - 7 - - 7 - - - 7 - - 7 - - - 7 - - 7 -

B: - 8 - - 8 - - -10 - -10 - - - 8 - - 8 - - -10 - -10

G: - - 7 - - - 7 - - 7 - - - - - - 9 - - - 7 - - 9 - -

1st Verse:

G(2nd octave) Bm7/F#

Remember last summer when we had the chance

to Am7/Efind each other start Am/Dmaking romance

G(2nd octave) Bm7/F#

But it didn't come off so you found another

Without one Am7/Ehand of a clock what Am/Dgood is the other

1st Chorus:

Cadd13 C Cadd13 C Gsus4 G G7(#5) *

And I can't find no true love oh baby it's so hard

and I Cadd13still think aCbout you every Cadd13time I'm rCidin' in mAm/Dy carD6

* then add A then B as in: xx3443, xxx445, xxx447

2nd Verse...

2nd Chorus ;end on G instead of Am/D & D6

Bridge: Am Cm D G

Aww when I'm home alone I can think of other things to do

but Amwhen I'm rollin in Cmforward Dmotion I Athink about only Dyou

3rd Verse...

repeat 1st chorus; end on D, not D6

Solo: bend&release

E: - - - - -(7b8r7)- - - - slide - - - - - - - - - - - -

B: - - 7 8 10- - - - -7 8 10/12 10 - - 7 8 10/12 7/8 - -

G: 7 9 - - - - - - 7 9 - - - - - - 7 9 - - - - - - - 7/9

repeat 1st chorus

repeat intro riff

Notes: Arranged by NRBQ with contrasting chords for electric clavinet. To

reconcile for solo guitar, add D chord at last beat of verse, and instead

of Cadd13 to C in the chorus, try C6add9 (8x7755) to Cadd13 (875555). A

simplified arrangement for solo guitar accompaniment in the 1st octave

would be: Verse- G, Bm, Am7, Am/D (xx0210), G, Bm, Am7, Am/D to D (on last

beat), Chorus- C6add9 (x3x230), C, etc.

47 ALL OF THE TImE DAVE CLARK FIVE

The Dave Clark Five 1964
From the Glad All Over album
 
Am         Bm   Am G
All of the ti-i-ime
Am         Bm   Am G
All of the ti-i-ime
 
G      Am              Bm  Am G
Let me tell you little gir-rl
G Am           Bm      Am G
I think you're so fi-i-ine
G     Am      Bm      Am   C
And I want to be with youuu
C       D
All the ti-i-i-i-ime
 
G      Am       Bm    Am  G
Let me hold you in my arms
G      Am               Bm     Am G
Let me know that you're mi-i-i-ine
G        Am      Bm      Am   C
'Cause I want to be with youuu
C       D
All the ti-i-i-i-ime
 
C                      Em
Please don't make meee bluuue
C                   Em
That's not nice to doooo
C           Em
If you ever leeeave me
Em     A                 
You'll break my heart in two
D5 aug
Break it in two
 
G         Am      Bm  Am G
I want to be with you-uuu
G        Am          Bm         Am
Till the sun and the moon don't shine
G        Am              Bm  Am C
'Cause I love you little gir-rl
C       D
All the ti-i-i-i-ime
 
Solo:
 
C                      Em
Please don't make meee bluuue
C                   Em
That's not nice to doooo
C           Em
If you ever leeeave me
Em     A                 D
You'll break my heart in two
D
Break it in two
 
G         Am      Bm  Am G
I want to be with you-uuu
G        Am          Bm         Am
Till the sun and the moon don't shine
G        Am              Bm  Am C
'Cause I love you little gir-rl
C       D
All the ti-i-i-i-ime
 
Am         Bm   Am G
All of the ti-i-ime
Am         Bm   Am G
All of the ti-i-ime
Am         Bm   Am G
All of the ti-i-ime

49   Kind Of A Drag
 Chords
 by The BuckinghamDifficulty: intermediate
Capo: no capo
The Buckinghams  1967 (James Holvay) *
 
G G+ G7  D7
 
Am        D    Am
Kind of a drag,
          D               G
when your baby don't love you
Am        D    Am
Kind of a drag,
         D                 G
when you know she's been untrue
 
G7      C               C7            C
Oh, oh, listen, to what I've gotta to say
C7            F
Girl, I still love you, (I still love you)
            Fm
I'll always love you (I ll always love you)
   C  Bb   C  Bb   C    G
Anyway, anyway, anyway
 
Am        D    Am
Kind of a drag,
          D             G
when your baby says goodbye
Am        D   Am
Kind of a drag,
         D                     G
when you feel like you want to cry
 
G7      C                     C7           C
Oh, oh, girl, even though you make me feel blue
C7      F
I still love you,
            Fm
I'll always love you
   C  Bb   C  Bb   C    G
Anyway, anyway, anyway
 
Am D Am D G G7  2x
 
G7      C               C7            C
Oh, oh, listen, to what I've gotta to say
C7            F
Girl, I still love you, (I still love you)
            Fm
I'll always love you (I ll always love you)
   C  Bb   C  Bb   C  Bb
Anyway, anyway, anyway . . .
 
* Alternate:
 
Capo III
 
G  = E
G7 = E7
D7 = B7
Am = F#m
D  = B
C7 = A7
F  = D
Fm = Dm
C  = A
Bb = G
48 sweet cream ladieladies130 simple
C#                   D#
Sweet cream ladies, forward march,
    F#                C#
the world owes you a living.
C#                   D#
Sweet cream ladies, do your part,
F#                  C#
think what you are giving...
       A#m                            G#
to the lost and lonely people of the night.
       A#m                                  G#
Out of need they seek direction for their lives.
          A#m
They will love you in the darkness..
     F#
take advantage of your starkness..
    D#                              G#
and refuse to recognize you in the light.
 
#2.
C#                   D#
Sweet cream ladies, forward march,
F#                 C#
think what you're providing.
C#                   D#
Sweet cream ladies, show your starch,
F#                 C#
what's the use in ironin
         A#m                           G#
Tell the socialites to look the other way.
     A#M                           G#
It's instinctive stimulation you convey.
       C#                            F#
It's a necessary function, meant for those 
                             D#
without compunction..who get tired of vanilla, 
      G#
every day.
 
(TRUMPET BREAK:)
 
#3.
D                  E             G
Sweet cream ladies, forward march, Puritans 
       D
ignore them.
D                  E             G
Sweet cream ladies, do their part..sweet 
          D
cream men adore them.
         Bm                    A
Let them satisfy the ego of the male.
         D                              A
Let them fabricate success for those who fail.
           Bm
And should penalties pursue them, when there's 
G
really credit due them..
           E                          A
they might keep a simple fellow out of jail.
 
OUTRO:
D                  E            G D
Sweet cream ladies, forward march...
D                  E            G D
Sweet cream ladies, forward march...
D                 E             G D
Sweet cream ladies forward march...(Fade.)Cry Like A Baby chords
The Box Tops 1968 (Penn / Oldham)
 
Capo II
 
Am
 
C
When I think about the good love
              Am
You gave me I cry like a baby
C                     Am
Living without you is driving me crazy
  C
I cry like a baby
 
F
I know now that
 
You're not a plaything
G              F           C
Not a toy or a puppet on a string
 
E
 
C
As I look back on a love so sweet now
  Am
I cry like a baby
C
Every road is a lonely street
  Am
I cry like a baby
 
F
I know now that
 
You're not a plaything
G              F           C
Not a toy or a puppet on a string
 
Dm
Today we passed on the street
Am           F
And you just walked on by
Dm
My heart just fell to my feet
Am                 F7     F
And once again I began to cry
 
C Am C F7
 
C
When I think about the good love
              Am               C
You gave me I cry like a baby (cry like a  baby)
 
Living without you is driving me crazy
  Am               C
I cry like a baby (cry like a baby)
 
C
I know now that
 
You're not a plaything
  Am                                       C
I cry like a baby (just like a little bitty baby)
 
   C
As I look back on a love so sweet now
  Am                                       C
I cry like a baby (just like a little bitty baby)
 
C
Every road is a lonely street
  Am                          C
I cry like a baby (cry like a baby)
 
C
You left the water running, now
  Am                          C
I cry like a baby (cry like a baby). . .

Difficulty:	intermediate
Capo:	no capo

OLD YELLER FIND THE BEST COPY

WISH I COUlD HIDEAwaY

(Wish I Could) Hideaway chords
Creedence Clearwater Revival  1970
 
Gm F D# D *
D Gm D 2x
 
Gm            F
Howdy, friend, beggin' your pardon,
C                          G
Is there somethin' on your mind?
Gm                  F
You've gone and sold all your belongings,
C                         G
Is that something in your eye?
 
        Bm              C
Well, I know you really never
          G               C
Liked the way it all goes down;
Bm     D     G
Go on, hide away.
 
Gm
What's that you say?
          F
We're all bound for the graveyard;
C                G
Oooh, I wish you well.
Gm
Think it's gonna rain,
F
Oh, what's the diff'rence,
C                       G
Is there some way I can help?
 
           Bm              C
'Cause you know, I'm gonna miss you
            G         C
When you're gone, oh, Lord,
Bm           D     G
Wish I Could hide away
 
C    D   Em       Bm     C      Am
Hold on, give yourself a chance,
      C                G
I can hear the leavin' train.
 
Gm         F
All aboard! Goodbye, goodbye, goodbye!
C                G
Oooh, I wish you well.
Gm           F
See you soon, maybe tomorrow.
C             G
You can never tell;
 
           Bm              C
'Cause you know, I'm gonna miss you
            G         C
When you're gone, oh, Lord,
Bm           D     G
Wish I Could hide away
 
      C          G          C          G
Hide away, hide away, hide away, hide away, 
      C          G          C          G
hide away, hide away, hide away, hide away.. 
 
C G  2x
 
* Alternate:
 
Capo III
 
Gm = Em
F  = D
D# = C
C  = A
G  = E
Bm = G#m
D  = B
 
Set8

IT'S JUST A THOUGHT
(Creedence Clearwater Revival)
 
 
Intro : D  Dmaj7  Bm  A  Amaj7  F#m  E  A  E  A
 
 
              E
It's just a thought
          A                 E
But I've noticed something strange,
          D   Dmaj7      Bm
Getting harder to explain;
         A              Amaj7     F#m
All the years are passing bye and bye,
        E    A             E
Still I don't know what makes it go;
 G           D               A
Who said to wait and you'll see?
 
             E
It's just a thought
        A              E
But I wondered if you knew
          D     Dmaj7      Bm
That the song up there is you.
      A              Amaj7          F#m
They can't take it from you if you don’t
         E   A               E      A               E       A  E
give it away, don't give it away,  Ooh, It's given away
 
 
E  D  Dmaj7  C  D  E   F#  A  E  A
 
 
              E
It's just a thought
         A                 E
But the word has come too late
        D     Dmaj7   Bm
That a bad idea will take
 A           Amaj7          F#m
Just about a lifetime to explain,
              E   A                           E
And don't you see, good one's gonna be much longer;
G             D            A
Who's gonna wait, just to see?
 
 
 
E  D  Dmaj7  C  D  E   F#  A  E  A  E  A  B

KINGS AND QUEENS

   C#m         F#m              B             E
If all of the kings had their queens on the throne
         A       F#m        G#m     C#m
We would pop champagne and raise a toast
   C#m         F#m             B        E
To all of the queens who are fighting alone
      A          F#m      G#m     C#m
Baby, you're not dancing on your own
 
 
[Verse 1]
C#m                 C#m      F#m             B              E
Can't live without me, you wanna, but you can't, nah-nah-nah
           A          F#m                    G#m          C#m
Think it's funny, but honey, can't run this show on your own
C#m            F#m                  B            E
I can feel my body shake, there's only so much I can take
     A              F#m           G#m     C#m
I'll show you how a real queen behaves
 
 
[Pre-Chorus]
   C#m      F#m              B                 E    A
Oh,     no damsel in distress, don't need to save me
       F#m              G#m              C#m    C#m
Once I start breathing fire, you can't tame me
    F#m                  B              E    A
And you might think I'm weak without a sword
    F#m            G#m                  C#m
But if I had one, it'd be bigger than yours
 
 
[Chorus]
   C#m         F#m              B             E
If all of the kings had their queens on the throne
         A       F#m        G#m     C#m
We would pop champagne and raise a toast
   C#m         F#m            B        E
To all of the queens who are fighting alone
      A          F#m      G#m     C#m
Baby, you're not dancing on your own
 
 
[Verse 2]
        C#m         F#m       B             E
Disobey me, then baby, it's off with your head
      A             F#m        G#m                 C#m
Gonna change it and make it a world you won't forget
 
 
[Pre-Chorus]
   C#m      F#m              B                 E       A
Oh,     no damsel in distress, don't need to save me
       F#m              G#m              C#m     C#m
Once I start breathing fire, you can't tame me
    F#m                  B              E    A
And you might think I'm weak without a sword
        F#m              G#m         C#m
But I'm stronger than I ever was before
 
 
[Chorus]
   C#m         F#m              B             E
If all of the kings had their queens on the throne
         A       F#m        G#m     C#m
We would pop champagne and raise a toast
   C#m         F#m            B        E
To all of the queens who are fighting alone
      A          F#m      G#m      C#m
Baby, you're not dancing on your own
 
 
[Instrumental]
C#m F#m B E A F#m G#m C#m
C#m F#m B E A F#m G#m C#m
 
[Bridge]
D                                 A
   In chess, the king can move one space at a time
E                               B
  But queens are free to go wherever they like
D                                A
  You get too close, you'll get a royalty high
E                              G#
  So breathe it in to feel the life
 
 
[Chorus]
   C#m         F#m              B             E
If all of the kings had their queens on the throne
         A       F#m        G#m     C#m
We would pop champagne and raise a toast
   C#m         F#m            B        E
To all of the queens who are fighting alone
      A          F#m      G#m      C#m
Baby, you're not dancing on your own
 
 
[Outro]
C#m F#m    B     E      A    F#m  G#m    C#m
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh,-oh-oh-oh
C#m F#m    B     E      A    F#m  G#m    C#m
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh,-oh-oh-oh

47 SECOND WIND

Bb    Gm7    Ab    Fm7
Bb    Gm7    Ab    Fm7
 
 
[Verse 1]
 
Bb                Gm7           Ab               Fm7
  You're having a hard time and lately you don't feel so good
Bb    Gm7    Ab    Fm7
 
Bb                 Gm7     Ab             Fm7
  You're getting a bad reputation in your neighborhood
Bb    Gm7    Ab    Fm7
 
Bb       Gm7          Ab        Fm7
  It's alright It's alright Sometimes that's what it takes
Bb    Gm7    Ab    Fm7
 
Bb            Gm7          Ab                   Fm7
  You're only human you're allowed to make your share of mistakes
Bb    Gm7    Ab    Fm7
 
 
[Pre-Chorus]
 
Fm7                              Eb
  You better believe there will be times in your life
               D                        Gm    Gb7#5
When you'll be feeling like a stumbling fool
Fm7                               Eb
  So take it from me you'll learn more from your accidents
     Cm7                          F7
Than anything that you could ever learn at school
 
 
[Chorus]
 
Bb       Eb       Ab
Don't forget your second wind
Gb/Db  Db  Gb/Db  Db
 
Bb                      Eb       Ab
Sooner or' later you'll get your second wind
Gb/Db  Db  Gb/Db  Db
 
 
Bb    Gm7    Ab    Fm7
Bb    Gm7    Ab    Fm7
 
 
[Verse 2]
 
Bb                Gm7        Ab             Fm7
  It's not always easy to be living in this world of pain
Bb    Gm7    Ab    Fm7
 
Bb                Gm7           Ab            Fm7
  You're gonna be crashing into stone walls again and again
Bb    Gm7    Ab    Fm7
 
Bb       Gm7          Ab               Fm7
  It's alright It's alright Though you feel your heart break
Bb    Gm7    Ab    Fm7
 
Bb            Gm7          Ab            Fm7
  You're only human You're gonna have to deal with heartache
Bb    Gm7    Ab    Fm7
 
 
[Pre-Chorus]
 
Fm7                      Eb
  Just like a boxer in a title fight
           D                      Gm    Gb7#5
You got to walk in that ring all alone
Fm7                             Eb
  You're not the only one who's made mistakes
                Cm7                     F7
But they're the only thing that you can truly call your own
 
 
[Chorus]
 
Bb       Eb       Ab
Don't forget your second wind
Gb/Db  Db  Gb/Db  Db
 
Bb                    Eb       Ab
Wait in that corner until that breeze blows in
Gb/Db  Db  Gb/Db  Db
 
 
[Bridge]
 
Fm6/Ab                         G7
    You've been keeping to yourself these days
              Gb                         F7
'Cause you're thinking everything's gone wrong
Ebmaj7                         D7#9
    Sometimes you just want to lay down and die
      Gm7              Am/C  G#m/C  Gm/C
That emotion can be so strong
           Dm/F  C#m/F  Cm/F
But hold on
          Eb/F
Till that old second wind comes along
 
Bb    Gm7    Ab    Fm7
Bb    Gm7    Ab    Fm7
 
 
[Verse 3]
 
Bb             Gm7           Ab               Fm7
  You probably don't want to hear advice from someone else
Bb    Gm7    Ab    Fm7
 
Bb                  Gm7            Ab         Fm7
  But I wouldn't be telling you if I hadn't been there myself
Bb    Gm7    Ab    Fm7
 
Bb       Gm7          Ab        Fm7
  It's alright It's alright Sometimes that's all it takes
Bb    Gm7    Ab    Fm7
 
Bb           Gm7            Ab              Fm7
  We're only human We're supposed to make mistakes
Bb    Gm7    Ab    Fm7
 
 
[Pre-Chorus]
 
Fm7                        Eb
  But I survived all those long lonely days
        D                       Gm    Gb7#5
When it seemed I did not have a friend
Fm7                         Eb
  'Cause all I needed was a little faith
           Cm7                          F7
So I could catch my breath and face the world again
 
 
[Chorus]
 
Bb       Eb       Ab
Don't forget your second wind
Gb/Db  Db  Gb/Db  Db
 
Bb                     Eb          Ab
Sooner or later you'll feel that momentum kick in
Gb/Db  Db  Gb/Db  Db
 
Bb       Eb       Ab
Don't forget your second wind
Gb/Db  Db  Gb/Db  Db
 
Bb                     Eb          Ab
Sooner or later you'll feel that momentum kick in
Gb/Db  Db  Gb/Db  Db
 
 
[Outro]
 
Bb    Gm7    Ab    Fm7
Bb    Gm7    Ab    Fm7

OI OI OI

ALL IN:  D  G  B  A x2
 
VERSE:
D         G          B       A        D      G       B      A
Hear that cry throughout the streets, we know just what it means
D        G       B    A   D                 A
And even to the ignorant, it 'aint what it seems
D        G         B       A       D        G       B     A
Through every city backstreets, the kids from all around
D        G       B        A    D          A
They all come to join the fun, cause they know the sound
 
PRE_CHORUS:
G              A          B            A
They all try to ignore us, but we wont let 'em win
The wankers try to put us down, but we will smash them in
G                   A
Cause we all say, that they're full of shit
 
CHORUS:
D                                     B   A  G   A
And we're running down the backstreets Oi! Oi! Oi!
And we're running unafraid             Oi! Oi! Oi!
D                                     B   A  G   A     A
Cause we all know that's the sound of the streets
D                                     B   A  G   A
And we're running down the backstreets Oi! Oi! Oi!
Got our martins on our feet            Oi! Oi! Oi!
D                                     B   A  G   A     A
And you're all running down the backstreets with me
 
VERSE: (same chords)
The kids they come from everywhere, the east end's all around
Cause they all know what it means, when they hear the sound
You know what to do, when you hear the call
Put on your boots and Harrington, and kick down that fucking wall
 
PRE-CHORUS: (same chords)
You can listen to politicians, they'll lead you astray
You're gonna see the light and your gonna see the way
And we all know that there's nothing like us
 
CHORUS: (same chords)
And we're running down the backstreets Oi! Oi! Oi!
And we're never giving in              Oi! Oi! Oi!
Cause we all know that we're gonna fucking win
 
And we're running down the backstreets Oi! Oi! Oi!
And we're here to stay                 Oi! Oi! Oi!
And we all know that the firm are on they're way
 
BREAK:  bass plays verse riff
 
SOLO: bass plays verse riff behind solo
 
Solo:
E|------------------------------------------------------------------------------------------|
B|------------------------------------------------------------------------------------------|
G|------7-9b-9b----------------------7-9b-9b-----------------------7-9b-9b------------------|
D|--7-9---------7-7-7h9p7h9p7-7--7-9----------7-7-7h9p7h9p7-7--7-9----------7-7-7h9p7h9p7-7-|
A|------------------------------------------------------------------------------------------|
E|------------------------------------------------------------------------------------------|
 
E|---------------------------|
B|-----------10-----10-------|
G|------7-9b----9-9b---9--7--|
D|--7-9----------------------|
A|---------------------------|
E|---------------------------|
 
PRE_CHORUS:
G              A          B            A
They all try to ignore us, but we wont let 'em win
The wankers try to put us down, but we will smash them in
G                   A
Cause we all say, that they're full of shit
 
CHORUS:
D                                     B   A  G   A
And we're running down the backstreets Oi! Oi! Oi!
And we're running unafraid             Oi! Oi! Oi!
D                                     B   A  G   A     A
Cause we all know that's the sound of the streets
D                                     B   A  G   A
And we're running down the backstreets Oi! Oi! Oi!
Got our martins on our feet            Oi! Oi! Oi!
D                                     B   A  G   A     A
And you're all running down the backstreets with me


CHANGES IN
LATITUDES 130

Intro: 
G   D   A   G D

                     I
took off for a weekend last month  Just to try and recall
the     whole year    All of the
faces and all of the places
Wonderin' where they all disappeared

Bm                  F#m

I didn't
ponder the question too long    I was hungry and went out
for a bite

    G                  D

Ran into
a chum with a bottle of rum and we wound up drinkin' all night  G              D  It's
these changes in latitudes, changes in attitude 
Nothing remains quite the same

         G                  With
all of our running and all of our cunning    if we couldn't
laugh we would all go insane

 

Reading
departure signs in some big airport Reminds me of the places I've been

Visions
of good times that brought so much pleasure Makes me want to go back again

If it
suddenly ended tomorrow I could somehow adjust to the
fall      Good times and riches and
son of a b**ches I've seen more than I can recall

Chorus: These changes in latitudes,
changes in attitudes Nothing remains quite the same

     Through
all of the islands and all of the highlands If we couldn't laugh we would all
go insane

 2   I think
about Paris when I'm high on red wine

I wish I
could jump on a plane So many nights I just dream of the ocean God I wish I was
sailin' again

Oh,
yesterday's over my shoulder So I can't look back for too long There's just too much to
see waiting in front of me

And I
know that I just can't go wrong  With these changes in latitudes, changes
in attitudes

     Nothing
remains quite the same     With all of my running and
all of my cunning

    If
I couldn't laugh I just would go insane

   If
we couldn't laugh just would go insane

        A                       F     C    G    D   A   D

   I KNOW YOU Surf drum beat

    REDNECK
WOMAN

  MARY LOU

My roommate Don Francois grew up on a farm.. I
grew up without a single pet, cat or dog. So one day I mentioned it might be
fun to have a cat and he said the barn cat just had some kittens. We went to
his parents farm and here wee 5 kittens just over a month old. Some ordinary
colored cats and this guy. Distinctly different than the others I said I'd be
willing to adopt this one but it was the one Dons mother wanted to keep. An
aggresive player, we were drawn to each other and his mother relented. "Boy
or girl?" and I was told "pretty sure it's a male." I named him
Roger after my favorite ball player, Roger Maris. In the hallway of the
flophouse Don and I were living at, I would throw a small bouncy ball Roger
would chase as it ricocheted in every direction. I couldn't have asked for a
more loving playful pet. I would take her to friends' house when I visited.
Finally it came time to get Roger fixed and the vet said that he had
transitioned to female.. So rough and tumble Roger became the ferocious,
razor-clawed Mary Lou. At two years old we moved from Connecticut to Arizona. I
walked her on a leash at an RV park in Indiana and we walked around a small
pond at a rest stop in Kansas and nearly lost her in a cornfield in Nebraska.
Our most memorable moment was spending the afternoon at Shiprock New Mexico.
Unleashed there were no plants and I could see her easily. Then we packed in in
and headed for Tucson. I lived at a friends for a couple weeks waiting for my
roommates to arrive. Mary Lou had gotten a case of mange and had to fight with
other cats while living under a Pontiac Tempest not to mention a totally insane
neighbor dog that would get loose occasionally. Finally we settled in at 5801
Swinging A on the far west side and she became desert kitty.

1

2

3

 

29   TOMBSTONE SHADOW

TOMBSTONE SHADOW  G1  D5

Groove  beat  lots
of solos

TOMBSTONE SHADOW  stretchin' across my
path.

Tombstone shadow, stretchin' across my path.

Ev'ry time I get some good news, ooh,There's a shadow on my back

.2Saw the gypsy man, 'way down in san berdoo. Said, I saw the
gypsy man, 'way down in san berdoo. Five dollars on the table, ooh, 

 Keep me 'way from my tomb.

3 BRIDGE OR WHATEVER IT IS Said I got thirteen
months of bad luck,

Bound to be some pain. Don't you do no trav'lin', Fly in no machines.

Tombstone shadow, stretchin' across my path. Every time I get some good news,
ooh,There's a shadow on my back.

4  The man gave me a luck charm, cost five dollars
more,

Said, "put some on your pillow, and put some on your door."

He said, "take a
long vacation, ooh, For thirteen months or more."

Oh, lord!      5  Tombstone shadow,
stretchin' across my path.

Tombstone shadow, stretchin' across my path. Every time I get some good news,
ooh,

There's a shadow on my back.Oh, oh, lord!Oh, lord!

 

MARY
LOU   LYRICS IN FLAMINGO BOOK

 

31   THE
CHEATER"The Cheater" (John Krenski)

F#   D#m     B     D#m [N.C.]

 F#                          G#m7              F#      G#m A#m B  C#

        Haven't you
heard about the guy known as The Cheater    /
/   /   /

        F#                                  G#m7

        He'll take your
girl and then he'll lie and he'll mistreat her                  

        It seems every
day now You hear people say now

 Look out for The Cheater Make
way for the fool-hearted clown
 Look out for The Cheater

          He's
gonna build you up just to let you down

 Verse 2:
All of you girls had better stay inside your door now

        He'll hurt you
once, then turn around and hurt you some more now

        While he's out
betrayin’ You'll hear people sayin'

B              Cdim That cheater took my baby

        F# Away
from me

        D#m            D#m7/C#

        Yes, and now, I
don't mean maybe

        G#7                     G#m7     C#7

        I'll get her
back, just wait and see

         Am7      D7

        Wait and see

           G                             Am7                  G       Am Bm C D

        One of these
days he'll find a girl who knows all about him

         G                              Am7                 G       Am Bm C D

        She's gonna
break his carefree heart and go on without
him                 

        And you'll hear
thereafter Above
all the laughter

          Gmaj7               Am7

        Tough luck for
The Cheater Gmaj7            Am7          D7 Too bad for the
fool-hearted clown

        Gmaj7                Am Tough
break for The Cheater

                     G        Em          C       Em    Eb

        Who used to
build you up just to let you down

        Tough luck for
The Cheater  Too bad for the fool-hearted clown Abmaj7               Bbm7

        Tough break for
The Cheater  Ab       Fm         Db       Fm

        Who used to
build you up just to let you down                Ab [end
cold]

               

    SHUT
DOWN

 

 Bb                     
Db         
Eb      
Ab

Tach it up, tach it
up, buddy gonna shut you down

Ab

It happened on the
strip where the road is wide

Ab

Two cool shorts standing
side-by-side  (Ya)

   Db

My fuel-injected
stingray and a 413

     
Ab

We're revin' up our
engines and it sounds real mean

 

Tach it up, tach it
up, buddy gonna shut you down

Declinin' numbers at
an even rate

At the count of one we
both accelerate

My Stingray is light,
my slicks are starting to spin

But the 413's really
diggin' in

 Gotta be cool now, power shift here we go

     Super
stock Dodge is winding out in low but

   My
fuel-injected Stingray's really startin' to go

To get the traction
I'm ridin' my clutch

My pressure plate's
burnin' that machine's too much

 (Saxophone/Guitar Solo)

Pedals to the floor,
hear his dual quads drink

And now the 413's lead
is startin' to shrink

  He's hot
with ram induction, but it's understood

I got a fuel-injected
engine sittin' under my hood

Shut it off, shut it
off, buddy now I shut you down 

Its My Party chords in
pelican book needs lyrics

 by Lesley
Gore

          A                      A+

        It's my party
and I'll cry if I want to

         D                Dm

        Cry if I want
to, cry if I want to

        A      F#m      Bm         E           A    D   A    E

          You
would cry too if it happened to you

  

        Nobody knows
where my Johnny has gone But
Judy left the same time

        Why was she
holding her hand When she's supposed to be mine

        It's my party
and I'll cry if I want to Cry if
I want to, cry if I want to

        A      F#m      Bm         E           A    D   A    E

          You
would cry too if it happened to you

  Play all my records, keep dancing all night But leave me alone for a
while

        'Til Johnny's
dancing with me I've got no reason to
smile         

It's my party and I'll cry if I want to  Cry if
I want to, cry if I want to

        A      F#m      Bm         E           A    D   A    E

          You
would cry too if it happened to you

 [instrumental break over chorus chords (substitute F# for F#m)]

          Judy
and Johnny just walked through the door Like a queen and her king

        Oh, what a
birthday surprise Judy's
wearing his ring

         It’s my
party and I'll cry if I want to

          Cry if
I want to, cry if I want to

        A      F#m      Bm         E           A    D   A    E

          You
would cry too if it happened to you It's my party and I'll cry if I want to

        Cry if I want
to, cry if I want to

          You
would cry too if it happened to you

 SURF CITY  Ramones - Surf City: chords


 
  
              G                     Em
  I bought a '30 Ford wagon and we called it a
  woody,
  G
  Surf City here we come
                 G
  You know it's not very cherry,
          Em
  it's an oldie but a goody,
   G         Em
  Surf City here we come
           C                        Am
  Well, it ain't got a back seat or rear window
   C                            D
  but it still gets me where I wanna go
   
  Chorus:
               G
  Yeah, we're goin' to Surf City,
  'cause it's two to one
                  G
  You know we're goin' to Surf City,
  gonna have some fun
                  C
  You know we're goin' to Surf City,
  'cause it's two to one
                  G
  You know we're goin' to Surf City,
  gonna have some fun, yeah
   
  They say they never roll the scoops
  Because there's always something goin
  Surf City, here we come
  You know, they're either out surfing
  or they got a party growin
  Surf City, here we come
  Well it's two surfin honey for every guy
  And all you got to do is just wink your eye
   
  Chorus
   
  And if my woody breaks down
  I'll get somewhere as a surfer Surf City,
  here we come
  I'll strap my board to my back and hitch
  a ride in my wet-suit Surf City, here we come
  And when I get to Surf City,
  I'll be shooting pearl
  And checking out the parties for surfer girls
  
 


 

36    Judys Turn To Cry chords

 by Lesley
Gore

         A+

      [1: 'Cause  2,3:
But  4: So  5: Yeah] now it's

       D            Dmaj7

      Judy's turn to cry Judy's
turn to cry

       D             Bm

      Judy's turn to cry

              G             A

      'Cause Johnny's come back
(Johnny's come back, come back)

         D     A

      To me

 Oh, when Judy left with Johnny at my party (my party)

            D                    A7

      And came back wearing his
ring

      D                        Eb

      I sat
down and cried my eyes out Now that was a foolish thing

 2

 

      Well, it hurt me so to see
them dance together (together)

      I felt like making a scene

      Then my tears just fell like
raindrops

      'Cause Judy's smile was so
mean

 

[repeat chorus]

 

[instrumental break over variation on chorus chords]

 

      D   Dmaj7   D6     D      Bm

      /  /  /  /   /  /  /  /   /  /  /  /   /  /  /  /

      G     A      G  A         D     G      D  A

      /  /  /  /   /  /  /  /   /  /  /  /   /  /  /  /

 

Verse 3:

 

      One night I saw them kissin'
at a party (a party)

      So I kissed some other guy

      Johnny jumped up and he hit
him

      'Cause he still loves me,
that's why

37     37

 

Hold On
Loosely   4/4 130

36  Special

               E/Eb       D                   D/C#

1) You see it all around you - good lovin' gone bad.

E                 E/Eb                  D             D/C#

And usually it's too late when you realize what you had.

C                                 D

And my mind goes back to a girl I left some years ago, who told

me,

E              E/Eb    D              A          /C#-D-E)

"Just Hold On Loosely, but don't let go.

E                 E/Eb    D                     A

If you cling too tightly, you're gonna lose control.

F#m             B

Your baby needs someone to believe in

F#m                A

And a whole lot of space to breathe in."

 

2) It's so damn easy when your feelings are such

 

 To overprotect her, to love her too much.

                                 And my mind goes back to a girl I left some years ago, who told

 

If you cling too tight, babe, you're gonna lose control.

F#m             B

 Your baby needs someone to believe in

F#m                A

And a whole lot of space to breathe in."

  

        G     D     G     D   G     D       G    D

                              Don't let her slip a-  D     A     D     A   D     A     D     A

way,                              sentimental

  G     D     G     D   G     D        G     D

 fool,                 Don't let your heart get

  D     A     D   A-A#  B

in    her   way.

3) You see it all around you - good lovin' gone bad.

And usually it's too late when you realize what you had.

E           E/Eb    D              A          /C#-D-E)

So Hold On Loosely, but don't let go.

E                 E/Eb       D                     A

If you cling too tight babe, you're gonna lose control.

F#m             B

Your baby needs someone to believe in

F#m                A

And a whole lot of space to breathe in.

 

OUTTRO: E          E/Eb    D              A         (D/Db-D-E)

So Hold On Loosely, but don't let go.If you cling too tight babe, you're gonna lose it --

You're gonna -- lose control.

 

 

SU SUNNY AFTERNOON

GROOOVE BEAT    120

Dm|The taxman's taken all my dough,     C
and left me in my stately home,

A      A/G  A/F   A/E  Dmlazin'
on a sunny afternoon.

            CAnd
I can't sail my yacht
F          C he's taken
everything I've got.

 All I've got's this sunny afternoon.

Chorus:D                                   G7

Save me, save me, save me from this squeeze,

           C7                           F   A7

I've got a big fat mama tryin' to break me.

      Dm              G7

And I love to live so pleasantly,
Dm                G7   C7
Live this life of luxury,

F           A7         Dm

lazin' on a sunny
afternoon,                In
the summertime.. 

                       In
the summertime,  in the summertime..

  Dm                   C

2  My girlfriend's run off with my car, And gone back to
her ma and pa.

Tellin' tales of drunkenness and cruelty. C Now I'm sittin' here,
F             C
Sippin' at my ice-cooled
beer,           

 All I've got's this sunny afternoon.

 Help me, help me, help me sail away,or give me two good reasons
why I oughta stay 

Dm       G7  Cuz I
love to live so pleasantly, Live this life of luxury,

F           A7         Dm  lazin'
on a sunny
afternoon,              

                       In
the summertime,  in the
summertime..   Dm                   

D                                   G7

Save me, save me, save me from this squeeze,
C7                           F   A7  I've
got a big fat mama tryin' to break me And I love to live so pleasantly, Live
this life of luxury,

F           A7         Dm  lazin'
on a sunny afternoon

HOW DOES IT END 

CALL ME MAYBE 4/4 drum beat

I threw a wish in the well, Don't ask me, I'll never tell I looked
to you as it fell, and now you're in my way I trade my soul for a wish, pennies
and dimes for a kiss I wasn't looking for this, but now you're in my way G Your
stare was holdin', Ripped jeans, skin was showin' Hot night, the wind was
blowin' Where you think you're going, baby Hey, I just met you, and this is
crazy, but here's my number, so call me, maybe? It's hard to look right, at you
baby,(all the boys are trying to taste me) but here's my
number,    so call me, maybe?

You took your time with the call,   I took no time with
the fall

You gave me nothing at all,   but still, you're in my
way I beg, and borrow and steal   I Have foresight and it's
real I didn't know I would feel it, still it's in my way

 

 Your stare was holdin', Ripped jeans, skin was showin'

          Hot night,
wind was blowin' Where you think you're going, baby?

 Hey, I just met you,     and this is
crazy, but here's my number,    so call me, maybe?

And all the other boys are trying to chase me so here's my number
so call me maybe

      Before you came into my life I
missed you so bad

             
I missed you so bad   I missed you so, so bad

 Before you came into my life I missed you so bad

And you should know that   I missed you so, so bad

Hey I just met you BUT HERES MY NUMBER SO CALL ME MAYBE

  It's hard to look right,   at you baby,but here's
my number,    so call me, maybe?

Hey, I just met you,    and this is crazy,but
here's my number,   so call me, maybe?

And all the other girls,    try to Tase me but
here's my number,    so call me, maybe?  Make up ending cho

RIDIN IN MY CAR  NRBQ

NRBQ: Ridin' In My Car, 1977 single written by Al Anderson, in G
Major

Chords:

G(2nd octave):xx5787, Bm7/F#:x997x, Am7/E:x7558x,

Am/D:x57555, Cadd13:8x9x, C:8x98x, Gsus4:3x5533,

G7(#5):xx3443, D6:99777.

Intro riff (played over verse chords):

 

 E: 7 - - 7 - - - 7
- - 7 - - - 7 - - 7 - - - 7 - - 7 -

 B: - 8 - - 8 - -
-10 - -10 - - - 8 - - 8 - - -10 - -10

 G: - - 7 - - - 7 -
- 7 - - - - - - 9 - - - 7 - - 9 - -

 

1st Verse:

G(2nd octave) Bm7/F#

Remember last summer when we had the chance

to Am7/Efind each other start Am/Dmaking romance

G(2nd octave) Bm7/F#

But it didn't come off so you found another

Without one Am7/Ehand of a clock what Am/Dgood is the other

1st Chorus:

Cadd13 C Cadd13 C Gsus4 G G7(#5) *

And I can't find no true love oh baby it's so hard

and I Cadd13still think aCbout you every Cadd13time I'm rCidin' in mAm/Dy carD6

* then add A then B as in: xx3443, xxx445, xxx447

2nd Verse...

2nd Chorus ;end on G instead of Am/D & D6

Bridge: Am Cm D G

Aww when I'm home alone I can think of other things to do

but Amwhen I'm rollin in Cmforward Dmotion I Athink about only Dyou

3rd Verse...

repeat 1st chorus; end on D, not D6

Solo: bend&release

 

 E: - - - -
-(7b8r7)- - - - slide - - - - - - - - - - - -

 B: - - 7 8 10- - -
- -7 8 10/12 10 - - 7 8 10/12 7/8 - -

 G: 7 9 - - - - - -
7 9 - - - - - - 7 9 - - - - - - - 7/9

 

repeat 1st chorus

repeat intro riff

Notes: Arranged by NRBQ with contrasting chords for electric
clavinet. To

reconcile for solo guitar, add D chord at last beat of verse,
and instead

of Cadd13 to C in the chorus, try C6add9 (8x7755) to Cadd13
(875555). A

simplified arrangement for solo guitar accompaniment in the 1st
octave

would be: Verse- G, Bm, Am7, Am/D (xx0210), G, Bm, Am7, Am/D to
D (on last

beat), Chorus- C6add9 (x3x230), C, etc.

42 this kiss THIS KISS  E F#Faith Hill - This kiss 

 

 ^B I don't want another ^G#mheartbreak, I don't^Aneed
another turn to^F#mcry, no

^B  I don't want to learn the ^G#mhard way, Baby ^Ahello,
oh ^F#mno, goodbye,^B  but you got me like a ^G#mrocket,shooting ^Astraight
across the ^Asky,E          (G#
bassit's the way you love me,^A  it's
a ^Bfeeling like
this,E          (G# bass)it's
centrifugal motion,^A  it's per^Bpetual
bliss,E           (G#
bass it's that pivotal moment,^A  It's
ah, im^BpossibleE     (G# bass)   A     C#m   B

  this kiss,
this kiss,    unstoppableE      (G# bass)  A     C#m  B  this kiss, this kiss^B 

Cinderella
said to ^G#mSnow White  How does ^Alove get so off ^F#mcourse,
oh ^B  All I wanted was a ^G#mwhite knight With a ^Agood
heart, soft touch, ^F#mfast
horse ^B  Ride me off into the ^G#msunset Baby, ^AI'm
forever ^Ayours,

E          (G#
bass)

  it's
the way you love me, ^A  it's
a ^Bfeeling like
this,E         (G# bass)

  it's centrifugal motion, ^A  it's per^Bpetual
bliss,E           (G#
bass) it's that pivotal moment,

^A  It's ah, un^Bthinkable E      (G# bass)  A     C#m   this kiss, this
kiss,    unsinkable

E      (G#m bass) A     C#m  B this kiss, this kiss

^C  You can kiss me in the ^Am7moonlight on the ^Drooftop
under the ^Gsky, oh

^C  You can kiss me with the ^Am7windows ope  while the ^Drain comes pouring in^Gside,
oh

^C  Kiss me in ^Am7sweet
slow motion^DLet's let everything ^Gslide, ^Esus4  You
got me floating you ^Bgot
me flying,

F#          (A#
bass  it's that pivotal moment ^B  it's ah ^C#subliminal F#     (A# bass)  B     D#m    C# This kiss, this kiss    It's
criminal... F#     (A# bass)  B     D#m    C#This kiss, this
kiss F#         (A# bass)       B    D#m   C#

  it's the way you love me babyF#         (A# bass)       B    D#m   C#

  it's the way you love me darlin'

 

 

F#         (A#
bass)

  It's the way
you love me ^B  it's a ^C#feeling like
this  F#         (A#
bass)it's centrifugal motion ^B  it's
pe^C#rpetual
blissF#         (A# bass) it's
that pivotal moment^B  it's ah ^D#m sub^C#liminal                        F#     (A# bass)  B     D#m   C# This kiss, this kiss,  It's
criminal...  F#     (A# bass)  B This kiss, this
kiss ^F#  it's the way you love me ^Bbaby ^F#  it's the way you love me ^Bdarlin'

 

43  Heads Carolina

 [Verse 1]

D                
A              
G   
A

Baby, what do you say
we just get lost

          
D                      
A               
G   
A

Leave this one horse
town like two rebels without a cause

        
D                           
A                 
G    
A

I've got people in
Boston, ain't your Daddy still in Des Moines

      
D                
A                   
G  
A

We can pack up
tomorrow, tonight let's flip a coin

 

[Chorus]

D              
A

Heads Carolina, tails
California

G                 
A

Somewhere greener,
somewhere warmer

D                   
A

Up in the mountains,
down by the ocean

G                        
A

Where, it don't matter
as long as we're going

D       
           A

Somewhere together,
I've got a quarter

G              
A

Heads Carolina, tails
California

 

D,A,G,A

 

[Verse 2]

      
D                      
A               
G 
A

We can load what we
own in the back of a U-Haul van

         
D                
A                         
G  
A

Couple of modern day
Moses' searching for the promised land

      
D              
A                       
G 
A

We can go four hundred
miles before we stop for gas

      
D              
A                                
G 
A

We can drive for a day
and then we'll take a look at the map

 

[Chorus]

D              
A

Heads Carolina, tails
California

G                 
A

Somewhere greener,
somewhere warmer

D                   
A

Up in the mountains,
down by the ocean

G                        
A

Where, it don't matter
as long as we're going

D                  
A

Somewhere together,
I've got a quarter

G              
A

Heads Carolina, tails
California

 

D,A,G,A (X2)

 

[Verse 3]

           
D

We're gonna get outta
here

          
A                  
G 
A

If we have to ride a
Greyhound bus

         
D

Boy we're bound to
outrun

    A                           
G
A

The bad luck that's
been tailing us

 

[Chorus]

D              
A

Heads Carolina, tails
California

G                 
A

Somewhere greener,
somewhere warmer

D                   
A

Up in the mountains,
down by the ocean

G                        
A

Where, it don't matter
as long as we're going

D                  
A

Somewhere together,
I've got a quarter

G              
A

Heads Carolina, tails
California

D  A  G   A            
D 
A 
G 
A

      
O---oh, California!

D  A       G  A          
D 
A 
G 
A

  
Carolina!     California!

 

 

Sugar Shack:Jimmy Gilmer and the Fireballs.

#1 in 1963.

Learn the lyrics so I can get rid of this backround

INTRO: G C (x4)

 

#1.

C         G            C       G        C      G C G C

There's a crazy little shack beyond the tracks,

    G         C            G     C     G C G C

and everybody calls it the sugar shack.

           D7                          C

Well, it's just a coffeehouse and it's made out of wood.

D7                     C

Espresso coffee tastes mighty good.

D7                             D7

That's not the reason why I've got to get back,

        G     C      G     C             G     C    G C

To that sugar shack, whoa, baby, to that sugar shack.

 

#2.

C            G           C               G      C    G C G C

There's this cute little girlie, she's a-workin there.

G        C             G        C   G C G C

Black leotards and her feet are bare.

          D7                    C

I'm gonna drink a lotta coffee, spend a little cash..

D7                            C

make that girl love me when I put on some trash.

D7                          C

You can understand why I've got to get back,

        G     C      G     C             G     C      G     C

to that sugar shack, whoa, baby, to that sugar shack, yeah, honey,

        G     C      G     C            G     C    G C

to that sugar shack, whoa, yes, to that sugar shack.

 

#3.

C        G           C        G          C             G C G C

Now that sugar shack queen is married to me, yeah, yeah.

        G              C              G   C        G C G C

We just sit around and dream of those old memories.

        D7                          C

Ah, but one of these days I'm gonna lay down tracks..

D7                       C

in the direction of that sugar shack..

D7                           C                     G     C

just me and her, yeah, we're gonna go back

 

 

45  brown eyed handsome
man    Key?

 

 

 

 

 

Coda    ICONoCLASTICS or iconOclastics

#rockabillyvisionquest

 I am working on 4 sets of
11 songs each. I have a nice Beringer amp and a nice Yeti microphone for
recording into the computer. Yeti Blue, or something, thanks to
Emily.   So then I figured, ah’ll just use some Youtube beats.

                        So,
I hope it ain’t too discurgin’ when I try to play a song to any sort of crowd.
I haven’t played a gig for like, 40 years. I like to say I like to create and I
like to play, but I don’t like to perform. Not looking for approval or
applause. The problem today are todays musicians who are all about their image
and infectiously, irresistible music so they can get a billion views on
Youtube.

                      My
#rockabilly visionquest then comprises several things. First, why do I bond
with the Hillbilly culture? A song I’d like to do is Hillbilly Cat by the
Hillbilly Hellcats. I love coal songs such as “don’t look now” by Creedence and
Mother of a Miners Child by Gordon Lightfoot. Workin’ in a coal mine is an
oldie I’d like to do.

                      Hillbilly
Highway written by Steve Earle and as performed by the Road Hammers is another.

Go to my Youtube channel,
John A Almada, and check out my “American Dankbilly” and “ICONoCLASSICS”
playlists. iconOclastics has these 44 songs loaded up front along with the
beats I’ll be using so I can find them wherever I can get Wi-fi. 9-3-21 update.
Well it’s a year or two later and songs have been re-arranged.

                     Everyone
in bands these days has "personality" and silly costumes and images
to uphold and a “brand” to sell. The introverts don’t have many heroes. Fiona
Apple and uh…maybe Joni Mitchell? Introverts have no quiet heroes.

                    I
want to create, not perform, but alas, after 30 years of hobby guitar I want to
create an alternative to the same old shit, but begging for applause is a wee
bit unseemly. A performance vehicle for introverts, a community of artists.
Songs are our vocal heritage. Iconoclastics. Rock and roll is the legacy, not
the Confederacy. It will be an outreach program to the Trumptards to help them
escape their fantasy world.

                      Fiddle
Bango Harp or whatever. This is what I'm talking about, anybody can jump
in.   It's a community thing too, connecting in a simple way
with people and creating a better grade of performance because of the eschewing
(to spit out in disgust) of overplayed pop music, a rich new field to
plow. People say I have to play old tired hits so people don’t have to leave
their comfort zone. “You have to play what people want to hear”. I’m even
getting tired of “classic rock”. You know, I liked “Slow Ride” the first 10,000
times I heard it.

CAROLINA IN THE PINES

Carolina In The Pines Chords

by Michael Martin Murphey

Carolina in the Pines, by Michael Martin Murphy.
 
[Intro]
| A | A2  | D  | A |
| D | C#m | Bm | A |
 
[Verse 1]
         A               A2
She came to me, said she knew me
           D               A
Said she'd known me a long time
        D                 C#m
And she spoke of being in love
           Bm               A
With every mountain she had climbed
 
[Chorus]
        A                      A2
And she talked of trails she'd walked up
      D               A
Far above the timber line
           D                   C#m
From that night on, I knew I'd write songs
         Bm          A
With Carolina in the pines
 
[Solo]
| A | A2  | D  | A |
| D | C#m | Bm | A |
 
[Verse 2]
          A               A2
There's a new moon on the 14th
        D          A
First quarter the 21st
         D                C#m
And the full moon in the last week
           Bm             A
Brings a fullness to this Earth
 
[Chorus]
            A                A2
There's no guesswork in the clockwork
           D            A
Of the world's heart or mine
            D            C#m
There are nights I only feel right
         Bm            A
With Carolina in the pines
 
[Solo]
| A | A2  | D  | A |
| D | C#m | Bm | A |
| A | A2  | D  | A |
| D | C#m | Bm | A |
 
[Verse 3]
          A                  A2
When the frost shows on the windows
         D                     A
And the wood stove smokes and glows
       D                  C#m
As the fire grows we will warm our souls
         Bm              A
Watching rainbows in the coals
 
[Chorus]
          A                 A2
And we'll talk of trails we walked up
      D               A
Far above the timber line
          D             C#m
There are nights I only feel right
         Bm           A
With Carolina in the pines
 
[Solo]
| A | A2  | D  | A |
| D | C#m | Bm | A |
| A | A2  | D  | A |
| D | C#m | Bm | A |

Coda ICONoCLASTICS or iconOclastics

#rockabillyvisionquest

I am working on 4 sets of 11 songs each. I have a nice Beringer amp and a nice Yeti microphone for recording into the computer. Yeti Blue, or something, thanks to Emily. So then I figured, ah’ll just use some Youtube beats.

So, I hope it ain’t too discurgin’ when I try to play a song to any sort of crowd. I haven’t played a gig for like, 40 years. I like to say I like to create and I like to play, but I don’t like to perform. Not looking for approval or applause. The problem today are todays musicians who are all about their image and infectiously, irresistible music so they can get a billion views on Youtube.

My #rockabilly visionquest then comprises several things. First, why do I bond with the Hillbilly culture? A song I’d like to do is Hillbilly Cat by the Hillbilly Hellcats. I love coal songs such as “don’t look now” by Creedence and Mother of a Miners Child by Gordon Lightfoot. Workin’ in a coal mine is an oldie I’d like to do.

Hillbilly Highway written by Steve Earle and as performed by the Road Hammers is another.

Go to my Youtube channel, John A Almada, and check out my “American Dankbilly” and “ICONoCLASSICS” playlists. iconOclastics has these 44 songs loaded up front along with the beats I’ll be using so I can find them wherever I can get Wi-fi. 9-3-21 update. Well it’s a year or two later and songs have been re-arranged.

Everyone in bands these days has "personality" and silly costumes and images to uphold and a “brand” to sell. The introverts don’t have many heroes. Fiona Apple and uh…maybe Joni Mitchell? Introverts have no quiet heroes.

I want to create, not perform, but alas, after 30 years of hobby guitar I want to create an alternative to the same old shit, but begging for applause is a wee bit unseemly. A performance vehicle for introverts, a community of artists. Songs are our vocal heritage. Iconoclastics. Rock and roll is the legacy, not the Confederacy. It will be an outreach program to the Trumptards to help them escape their fantasy world.

Fiddle Bango Harp or whatever. This is what I'm talking about, anybody can jump in. It's a community thing too, connecting in a simple way with people and creating a better grade of performance because of the eschewing (to spit out in disgust) of overplayed pop music, a rich new field to plow. People say I have to play old tired hits so people don’t have to leave their comfort zone. “You have to play what people want to hear”. I’m even getting tired of “classic rock”. You know, I liked “Slow Ride” the first 10,000 times I heard it.

1 Layla lyrics in Pelican book

Organizations to distribute surplus. We theoretically eat 90 times a month. Food has to be the most important aspect of life. Mango harvests in Florida is one fruit as an example. When buying, specify minimal spots and not ones that are not completely ripe yet. Millions of them in June before fruit and vegetable stands open up in the more northern states and they need three days to ripen fully. We need Peoples organizations that maintain shipping and receiving.

CLOSE TO THE EDGE FOR KARAOKE

Close to the Edge

Yes

A seasoned witch could call you from the depths of your disgrace,
And rearrange your liver to the solid mental grace,
And achieve it all with music that came quickly from afar,
Then taste the fruit of man recorded losing all against the hour
And assessing points to nowhere, leading every single one
A dewdrop can exalt us like the music of the sun,
And take away the plain in which we move,
And choose the course you're running

Down at the edge, round by the corner,
Not right away, not right away
Close to the edge, down by a river,
Not right away, not right away

Crossed the line around the changes of the summer,
Reaching out to call the color of the sky
Passed around a moment clothed in mornings faster than we see
Getting over all the time I had to worry,
Leaving all the changes far from far behind
We relieve the tension only to find out the master's name

Down at the end, round by the corner
Close to the edge, just by a river
Seasons will pass you by
I get up, I get down
Now that it's all over and done,
Now that you find, now that you're whole

My eyes convinced, eclipsed with the younger moon attained with love
It changed as almost strained amidst clear manna from above
I crucified my hate and held the word within my hand
There's you, the time, the logic, or the reasons we don't understand

Sad courage claimed the victims standing still for all to see,
As armored movers took approached to overlook the sea
There since the cord, the license, or the reasons we understood will be

Down at the edge, close by a river
Close to the edge, round by the corner
Close to the end, down by the corner
Down at the edge, round by the river

Sudden call shouldn't take away the startled memory
All in all, the journey takes you all the way
As apart from any reality that you've ever seen and known
Guessing problems only to deceive the mention,
Passing paths that climb halfway into the void
As we cross from side to side, we hear the total mass retain

Down at the edge, round by the corner
Close to the end, down by a river
Seasons will pass you by
I get up, I get down

In her white lace, you could clearly see the lady sadly looking
Saying that she'd take the blame
For the crucifixion of her own domain

I get up,
I get down,
I get up,
I get down

Two million people barely satisfy
Two hundred women watch one woman cry, too late
The eyes of honesty can achieve
How many millions do we deceive each day?
I get up, I get down
I get up, I get down

In charge of who is there in charge of me
Do I look on blindly and say I see the way?
The truth is written all along the page
How old will I be before I come of age for you?
I get up, I get down
I get up, I get down
I get up, I get down

The time between the notes relates the color to the scenes
A constant vogue of triumphs dislocate man, it seems
And space between the focus shape ascend knowledge of love
As song and chance develop time, lost social temperance rules above
Ah, ah

Then according to the man who showed his outstretched arm to space,
He turned around and pointed, revealing all the human race
I shook my head and smiled a whisper, knowing all about the place
On the hill we viewed the silence of the valley,
Called to witness cycles only of the past
And we reach all this with movements in between the said remark

Close to the edge, down by the river
Down at the end, round by the corner
Seasons will pass you by,
Now that it's all over and done,
Called to the seed, right to the sun
Now that you find, now that you're whole
Seasons will pass you by,
I get up, I get down
I get up, I get down
I get up, I get down
I get up

[JA1]Dis

GREENHAMMER

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Wednesday, January 19, 2022

BEATRX SONGLIST

18 THE WORKIN' MAN

Suwannee Chords

1 Electric beam bring had to life then it moves a way fight another world war our only human function

40 WHEN SHE SEES ME SEE
PELICAN BOOK FOR LYRICS
1 WHEN I FIND

2-WHEN … THERE’S NO LOVE

3/4-SOLOS

5AND THEN SOMETIMES I COME HOME AT NOON

6 IN HER PRIVATE MOMENTS I DON’T SHAKE HER

41 THE CHEATER
memorize it

42 SURF CITY Ramones - Surf City: chords

Brenda Put Your Bra On Chords

46 RIDIN' IN MY CAR NRBQ

Kind Of A Drag

Chords

Carolina In The Pines Chords

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Post a Comment

DAWN OF LIBERTY

Popular Posts

Search This Blog

Wednesday, January 19, 2022

BEATRX SONGLIST

18 THE WORKIN' MAN

1 Electric beam bring had to life then it moves a way fight another world war our only human function

40 WHEN SHE SEES ME SEE PELICAN BOOK FOR LYRICS1 WHEN I FIND2-WHEN … THERE’S NO LOVE3/4-SOLOS5AND THEN SOMETIMES I COME HOME AT NOON6 IN HER PRIVATE MOMENTS I DON’T SHAKE HER41 THE CHEATER memorize it

42 SURF CITY Ramones - Surf City: chords

Brenda Put Your Bra On Chords

46 RIDIN' IN MY CAR NRBQ

Kind Of A Drag

Chords

No comments:

Post a Comment

Popular Posts

40 WHEN SHE SEES ME SEE
PELICAN BOOK FOR LYRICS
1 WHEN I FIND

2-WHEN … THERE’S NO LOVE

3/4-SOLOS

5AND THEN SOMETIMES I COME HOME AT NOON

6 IN HER PRIVATE MOMENTS I DON’T SHAKE HER

41 THE CHEATER
memorize it