DIVISIONS OF DIVERSIONS

7-1 BEATRX

7-2 CPSE

7-3

7-4

It looks like I'll be stuck on this planet a bit longer so I'm going to make a new kind of business.

The name I wanted to use was Diversions.

RENEWED IN 1986

Having diversions for people.

Music, (5) John A Almada - YouTube

-7-1- BEATRX BEATRx

2023 SONGLIST

I make mistakes.

that's why I'm not a professional

Got a New Idea to work with

BEATRX

ICONoCLASTICS

iconOclastics

BEATRX is in a seperate blog post

(Lyrics Prompt)

and first three words bpm # Key

1 C#m LAYLA 90 train

BLUEGRASS VERSION LOTS OF SOLOS, NO BORING ENDING verse solo verse solo 1 what will you do 2 I tried to give you 3 let’s make the best

2 D TABACCO ROAD by the Nashville Teens and John D Loudermilk who created the song 120 simple

I was born in a trunk Mama died and my daddy got drunk left me here to die alone
Let me hear two dying crows …
2 grew up in 3 gonna leave, get a job 4 Bring dynamite and a crane

3 Eb DON’T DREAM IT’S OVER 1986 Crowded House 4/4 130

1 There is freedom within 2 there’s a battle ahead 3 Now I'm towing my car 4 in the paper today 5 now I’m walking again 6 only shadows ahead

4 Em ACE OF SPADES MOTORHEAD I do a slower version. More like “Coals” version. Hail Lemmy. 80's 150

1 If you like to gamble (the pleasure / I don’t) 2 playing for the high one, dicin’ (seven or 11 / double up or) 3 Pushing up the ante (I see it in your eye the only one you see)

5 E DON’T LOOK NOW CREEDENCE 1969 a lesser -known

album cut. 4/4 130 138 kicks it

1 who’ll take the coal from the mine, who'll take the salt from the mines who'll take a leaf 2 who’ll work the field who'll put his back to the plough who'll take the mountain (DON’T LOOK NOW SOMEONES DONE YOUR STARVIN’) solo repeat chorus 3 repeat don’t look now 4 who'll make the shoes for your feet? who'll make the clothers you wear? who'll take the promise that you don't have to keep

dont look now it aint you or me 5 SOLo 6 who’ll take the coal from the mine wholl take the salt from the eearth? who'll take the promise that you don't have to keep?

6 F ROCKABILLY HALL OF FAME B side band. The Rockabilly Hall of Fame has yet to embrace this song. I give it a more danceable beat 130 simple

1 found ourselves this cool won't believe the folks we saw 2 poster hung up on the wall perkins vincent had a ball Johnny Cash and Elvis too 3 Marty Robbins made us dance Elvis put us in a trance that night won't forget the sights we saw all those rockers yelled for more

7 G MOTHER OF A MINERS CHILD GORDON LIGHTFOOT very nice song. I give it a harsh beat which brings out the lyrics better, I think. 138

1 she is my flower (waits for me beside the kitchen door) 2 She is my light (wash away the coal dust from my face) 3 SOLO 4 When the night shifts done (and the promise I made to carry on) 4 sometimes I smile in the cage where the cables softly hum I'd curse that old straw boss to the bone but the mother of a miners child is waiting for her paycheck to come home come saturday (he is just a miners boy, I hope that he will find a better way

Ab or A SHUT DOWN SHUT DOWN BEACH BOYS 60’s

tach it up tach it up 1 it happened on the strip 2 declinin numbers (super stock Dodge is ) 3 pedals to the floor hear his dual quads rake

9 A to Bb HEY LITTLE COBRA 1963 140 simple The Rip Chords. Great key change third verse 1

I took my Cobra 2 when the flag went down 3 around the far turn in the striaghtaway

10 C New York is a lonely town Trade Winds The last surf song to reach the top ten. 1965

130 simp 138 SEEMS BETTER

1 my folks moved to New York 2 from central park to Pasadena’s such a long way

11 C# THE WORKIN’ MAN lesser known album cut from Creedence Clearwater Revival 1 well I was born on a Sunday 2 mama said 3 solo I AINT NEVER BEEN IN TROUBLE 4 whatever you say lord ADD SOLOS AS NEEDED 5 don’t take me on friday

12 D I ONLY WANT TO BE WITH YOU original by Dusty Springfield. Loved it but it needed a new beat and Volbeat gave it the metal/rockabilly treatment

1 I don’t know what it is that makes me love you so 2 it doesn’t really matter what 3 now listen honey I just want to be beside you everywhere as long as were together honey I dont care cuz you started something can't you see ever since we met youve had a hold on me no matter what you do

13 Em DRINKIN’ GASOLINE THE BABOONS 2012 Rockabilly 90 Train beat or 140

1 Well I'm driving down the road in my Cadillac Travelling lies me by a road turning black
Drinking gasoline is a whole lotta do Drinking gasoline to get over you
We were doing swell with a short way to hell on the hill
2 Well I met you in the desert at Sabriskey point

3 Well I drove ten thousand miles away from home
See no trap in jail, but ain't no desert spawn (solo) 4 Engine started smoking and wings on fire
Big wheels started shaking and I lost a tyre

14 Em7 HURT YOU FIRST NIIA pop song from a couple years ago I try to make it a Power Station style simp 130

1 you’re too good for me 2 are you guilty is there a secret 3 gonna make you cry gonna say goodbye it'll be nice4 I’m gonna I’m gonna hurt you first youll be the one the only one thats a cryin'

15 E COMING UP Paul McCartney super optimistic song PUNK 4/4

1- you want a love 2 you want a friend 3 you want some peace and understanding so everyone can be free 4 you want a better kind of future one that everyone can share

16 G JENNY ARE YOU GAY? HILLBILLY MOON EXPLOSION From 2010. R'BILLY 110

1 jenny are you gay 2 jenny r u gay you got a real cool shirt 3 I didn’t see you at the ball game.4 I saw you dancing techno

17 G CRY BABY CRY BEATLES built for metal. SIMP 140

1 The king of Marigold was in the kitchen 2 the king was in the garden 3 the duchess of Kirkaldy 4 at twelve o clock a meeting for a seance

18 Am MY LOVE FOREVERMORE HILLBILLY MOON EXPLOSION 150 BPM

1 I’d like to pack this in 2 oh the river is cold and black 3 SOLO 4 don’t lose your step 5 SOLO 6 we’ll stay at home listen to a record and watch the candle burn

19 A RED CLAY HALO VARIOUS ARTISTS 130 simple

1 well the girls all dance 2 it’s under my nails CHORUS 3 now it’s mud in the spring dust in the summer 4 solo chorus 5 now Jordans banks are red and muddy

20 Bb WALK LIKE A MAN FOUR SEASONS 1963 How about sing like a man? 100 BPM

1 oh how your tried 2 bye bye baby

21 C HILLBILLY HIGHWAY Steve Earle song. I do a version reminiscent of the Road Hammers INTRO SOLO "ON AND ON AND ON" THEN QUIET 90 TRAIN

1 my grandaddy was a miner 2 he worked and saved his money so that one day he might send

3 granddaddy rolled over in his grave

22 D CHANGES OF LATTITUDE JIMMY BUFFETT 1 I took off visions of good times that brought so much pleasure(I didn’t ponder) 2 reading departure signs in some big airport (if it suddenly) 3 I think about Paris I WISH I could jump on a plane(oh yesterdays over my shoulder)

23 D SKINHEAD LOVE AFFAIR “she stole a shirt I went to court” 1 I met her at a ballroom gig (I bought her lotta drinks that night) 2 I took her down to Last Resort (I thought about her every day) 3 on the day that I got out, ( I got down on bended knee)

24 F I KNOW YOU F I KNOW YOU Dave Clark 5 British invasion inspired by rockabilly and I use surf beat 140 1 I know you don’t 2 I’m a fool believe me

25 F LOVIN YOU

26 F# REDNECK WOMAN a very mean spirited parody could be offensive to some

Redneck Woman (Reality Remix) [Verse 1] Well, I done never, Read words that's typed I don't like to solve problems with my words I'd rather get drunk and fight Whammy on my Grandma Or my little one Or a random passerby My boyfriend takes good care of me

And gave me these black eyes No, I ain't got no degree And I can't even rhyme Got my ‘leven kids with me And not one dad in sight Since I'm a redneck woman, never been to a mall
Just the product of the incest From my sister and my Pa And I keep them engine car parts On my front yard all year long Not that you can see 'em Since my lawn's so overgrown Callin' all you white-trash skanks In Confederate Country Get your hands off my man, bitch!
Or you got to deal with me! Cuz I'm tough Hell Yeah! (Hell Yeah!)

2] It's ain't no secret That my stuff's real prime Get ma number offa that bathroom stall Call me for a good time
That's a real number wrote it myself So I's can find a good man No, there's no such thing as a Sothern fag 'Cuz they've all dug my clam
You might think I'm nasty And you might call me poor But in my mind and in my heart (Offscreen): You're just a backwoods whore! Hey!
I'm a redneck woman And you stay off my land My Grampy stole it fair and square From that American Injun Stan And my family's been residing here For over a hundred years And we don't want our country filled with Immigrants and queers So here to all out here screamin' loud" The South will rise again" Let me get a big hell yeah From a southern minute man Hell Yeah! (Hell Yeah!)

[Verse 3] So I'm a redneck woman that's all I am Proud to be from the USA The place that brought you spam
And I go to church on Sundays Cuz I'm a god-fearin woman The preacher uses all big words
That I don't understand So here's to all the people That never cross that county line

Let's stay home in our shit towns Until the end of time Hell Yeah! (Hell Yeah!)

27 G MARY LOU

COMPLETE LYRICS FOR SONGS 1-28 ARE IN THE BLOGPOST BEATRX SONGLIST

18 MY LOVE FOREVER MORE

· MY LOVE FOREVERMORE

80’s 150?

HILLBILLY MOON EXPLOSION drumbeat youtube

>>>Drum beat 120 BPM funk rock

So this song has a male and female part so I have to sing both. Therefore if you know this song you are welcome to sing the female part.

1 Am I'd like to pack this in, C and take you to the stars E we’ll eat at fancy restaurants anAmd drive in fancy cars

AmWe tried our luck, we made a buck,C so lean back have some fun. Oh yes my love but first just this ine last one

F We stood on a cliff on a Cstarless night I held your hand in myAm mine... so stand by me wCith all your heart, I need you by Ammy side

2 Oh, the river is cold and black and the bottom is a long way down

another one going underground Why can't we cut the ropes and let that poor fool go..

Don't go getting weak on me not when I need you so F C E Am F C E Am F We stood on a cliff in a starless night I held your hand in my mine...so stand by me with all your heart, I need you by my side

3 Dont lose your step, now we're almost there go wash Your face, and comb your hair

So trust me now, believe in me forever more your love, you have pledged to me.We stood on a cliff in a starless night I held your hand in my mine... so stand by me with all your heart, I need you by my side

4 We'll stay at home and C call this day our own, listen to a record and watch a candle burn I'm feeling kind of drowsy there's blood on the floor. And when I'm gone you still will have my love forevermore

19 19 WALK LIKE A MAN

still noit certain of that chorus

GROOVE BEAT!!!

1 OH HOW YOU tried, to cut me down to si-yize

2 Bye Bye baby

1 Oh how you tried to cut me down to size Tellin' dirty lies to my friends
But my own father said give her up, don't bother The world isn't comin' to an end
(He said) Walk like a man, talk like a man Walk like a man my son
No woman's worth crawlin' on the earthSo walk like a man, my sonOh, walk, walk, walk, walk
2 Oh Bye bye baby, I don't-a mean maybe Gonna get along somehow
Soon you'll be cryin' on account of all your lyin' Oh yeah, just look who's laughin' now
(I'm gonna) Walk like a man, fast as I can Walk like a man from you
I'll tell the world forget about it, girl And walk like a man from you

20 HILLBILLY HIGHWAY

HILLBILLY HIGHWAY HILLBILLY HIGHWAY Steve Earle

Simp 130

My granddaddy was a miner, but he finally saw the light
He didn't have much, just a beat-up truck and a dream about a better life
Grand mama cried when she waved goodbye, never heard such a lonesome sound
Pretty soon the dirt road turned into blacktop, Detroit City bound
Down that hillbilly highway
On that hillbilly highway That old hillbilly highway Goes on and on

Now he worked and saved his money so that one day he might send
My old man off to college, to use his brains and not his hands
Grand mama cried when she waved goodbye, never heard such a lonesome sound
But daddy had himself a good job in Houston, one more rollin' down

that old hillbilly highway That old hillbilly highway That old hillbilly highway Goes on and on
On and on, on and on Here it goes

Granddaddy rolled over in his grave the day that I quit school
I just sat around the house playin' my guitar, Daddy said I was a fool
My mama cried when I said goodbye, I never heard such a lonesome sound
Now I'm standin' on this highway and if you're going my way
You know where I'm bound

Bound that hillbilly highway On that hillbilly highway
That old hillbilly highway Goes on and on
Hmm, yeah that's the road I'm on it

21 CHANGES IN LATITUDES 130

Intro:  G   D   A   G D

120 BPM

I took off for a weekend last month Just to try and recall the whole year All of the faces and all of the places

Wonderin' where they all disappeared

Bm F#m

I didn't ponder the question too long I was hungry and went out for a bite

G D

Ran into a chum with a bottle of rum and we wound up drinkin' all night

G D It's these changes in latitudes, changes in attitudes

Nothing remains quite the same

G With all of our running and all of our cunning if we couldn't laugh we would all go insane

Reading departure signs in some big airport

Reminds me of the places I've been

Visions of good times that brought so much pleasure

Makes me want to go back again

If it suddenly ended tomorrow I could somehow adjust to the fall Good times and riches and son of a b**ches I've seen more than I can recall

Chorus:

These changes in latitudes, changes in attitudes Nothing remains quite the same

Through all of the islands and all of the highlands If we couldn't laugh we would all go insane

I think about Paris when I'm high on red wine

I wish I could jump on a plane So many nights I just dream of the ocean God I wish I was sailin' again

Oh, yesterday's over my shoulder So I can't look back for too long

There's just too much to see waiting in front of me

And I know that I just can't go wrong

With these changes in latitudes, changes in attitudes

Nothing remains quite the same With all of my running and all of my cunning

If I couldn't laugh I just would go insane

If we couldn't laugh just would go insane

A F C G D A D

22 skinhead love affair

SKINHEAD LOVE AFFAIR 80’s 150 works real good

I met her at a ballroom gig she said my braces were to big i said "i like your 2tone clothes" she said "I like you're broken nose" i bought her alot of drinks that night she bought me nothing but a fight she said i wasnt mister right its over its over its over it was a skinhead love affair you know a skinhead love affair

i took her down the last resort she stole a shirt,I went to court she said she'd always stand by me even when i did D.C

i thought about her everyday like lovers do when they're away she never came to visit me its over its over its over it was a skinhead love affair you know a skinhead liove affair

on the day that I got out my skinhead girl she werent about she got herself a soul girl perm joined

the Canvey Island Firm i got down on bended knee

and asked her if she'd marry me she said "SKINHEAD CANT YOU SEE?" its over its over its over it was a skinhead love affair you know a skinhead love affair just a skinhead in love just a skinhead in love a skinhead,a skinhead, a skinhead in love im just a skinhead in love (repeat to end)

23 BAD TO ME

E E/D# C#m

If you ever leave me, I'd be sad and blue
G#m                         F#m              Gaug
Don't you ever leave me, I'm so in love with you 
    E            G#m         C#m
The birds in the sky would be sad and lonely
        E         G#m      C#m
If they knew that I lost my one and only,
          A             B7     E   G#m  B7
They'd be sad if you're bad to me
 
    E             G#m           C#m
The leaves on the trees would be softly sighin'
        E              G#m            C#m
If they heard from the breeze that you left me crying,
          A             B7     E    N.C.
They'd be sad, don't be bad to me
 
               A                         B7
But I know you won't leave me 'cause you told me so,
E                    C#7
I've no intention of letting you go,
A                   B7               F#m             Gaug
Just as long as you let me know, you won't be bad to me 
       E            G#m         C#m
So the birds in the sky won't be sad and lonely
            E         G#m     C#m
'Cause they know that I got my one and only
           A               B7     Bm     C#7
They'll be glad you're not bad to me
 
           F#m             B7     E   G#m   F#m   B7
They'll be glad you're not bad to me
   E   G#m   F#m   B7
To me
   E   G#m   F#m   B7
To me

26 REDNECK WOMAN

[Verse 1]
Well, I've done never
Read words that's typed
I don't like to solve problems with my words
I'd rather get drunk and fight
Whammy on my Grandma Or my littlelest
Or just random passerby
My boyfriend takes good care of me
And gave me these black eyes
No, I ain't got no degree
And I can't even write
Got my eleven kids with me
And not one dad in sight[Chorus]

Since I'm a redneck wI've never been to a mall
Just the product of the incest From my sister and my Pa
And I keep them engine car parts On my front yard all year long
Not that you can see 'em Since my lawn's so overgrown
Callin' all you white-trash skanks In Confederate Country
Get your hands off my man, bitch!Or you got to deal with me! 'Cuz I'm tough
Hell Yeah! (Hell Yeah!)
Verse 2
It's ain't no secret That my stuff's real prime
Get the number off that bathroom stall Call me for a good time
That's a real number
From myself So I's can find a good man
No, there's no such thing as a Sothern fag 'Cuz they've all dug my clam
You might think I'm nasty And you might call me poor
But in my mind and in my heart
(Offscreen): You're just a backwoods whore!
Hey! im a redneck woman And you stay off my land

My Grampy stole it fair and square
From that American Injun band
And my family's been residing here For over a hundred years
And we don't want our country filled with Immigrants and queers
So here to all out here screamin' loud "The South will rise again"
Let me get a big hell yeah From an one minute southern man
Hell Yeah! (Hell Yeah!)
[Verse 3]So I'm a redneck woman And that's all I am
Proud to be from the USA
The place that brought you spam
And I go to church on Sundays Cuz I'm a god-fearin woman
The preacher uses all big words That I don't understand
So here's to all the people That never cross that county line
Let's stay home in our shit towns
Until the end of time Hell Yeah! (Hell Yeah!)

27 MARY LOU

My roommate Don Francois grew up on a farm.. I grew up without a single pet, cat or dog. So one day I mentioned it might be fun to have a cat and he said the barn cat just had some kittens. We went to his parents farm and here wee 5 kittens just over a month old. Some ordinary colored cats and this guy. Distinctly different than the others I said I'd be willing to adopt this one but it was the one Dons mother wanted to keep. An aggresive player, we were drawn to each other and his mother relented. "Boy or girl?" and I was told "pretty sure it's a male." I named him Roger after my favorite ball player, Roger Maris. In the hallway of the flophouse Don and I were living at, I would throw a small bouncy ball Roger would chase as it ricocheted in every direction. I couldn't have asked for a more loving playful pet. I would take her to friends' house when I visited. Finally it came time to get Roger fixed and the vet said that he had transitioned to female.. So rough and tumble Roger became the ferocious, razor-clawed Mary Lou. At two years old we moved from Connecticut to Arizona. I walked her on a leash at an RV park in Indiana and we walked around a small pond at a rest stop in Kansas and nearly lost her in a cornfield in Nebraska. Our most memorable moment was spending the afternoon at Shiprock New Mexico. Unleashed there were no plants and I could see her easily. Then we packed in in and headed for Tucson. I lived at a friends for a couple weeks waiting for my roommates to arrive. Mary Lou had gotten a case of mange and had to fight with other cats while living under a Pontiac Tempest not to mention a totally insane neighbor dog that would get loose occasionally. Finally we settled in at 5801 Swinging A on the far west side and she became desert kitty.

28 SHUT DOWN

Tach it up, tach it up, buddy gonna shut you down

It happened on the strip where the road is wide

Two cool sharks standing side-by-side  (Ya)

My fuel-injected stingray and a 413 We're revin' up our engines and it sounds real mean

Tach it up, tach it up, buddy gonna shut you down

2    Declinin' numbers at an even rateAt the count of one we both accelerate

My Stingray is light, my slicks are starting to spin

and the 413's really diggin' in Gotta be cool now, power shift here we go

Super stock Dodge is winding out in low but

My fuel-injected Stingray's really startin' to go

To get the traction I'm ridin' my clutch

My pressure plate's burnin' that machine's too much

 (Saxophone/Guitar Solo)

Pedals to the floor, hear his dual quads drink

And now the 413's lead is startin' to shrink

He's hot with ram induction, but it's understood

I got a fuel-injected engine sittin' under my hood

Shut it off, shut it off, buddy now I shut you down

30 THIS KISS E F#Faith Hill - This kiss

^B I don't want another ^G#mheartbreak, I don't^Aneed another turn to^F#mcry, no

^B I don't want to learn the ^G#mhard way, Baby ^Ahello, oh ^F#mno, goodbye,^B but you got me like a ^G#mrocket,shooting ^Astraight across the ^Asky,E (G# bassit's the way you love me,^A it's a ^Bfeeling like this,E (G# bass)it's centrifugal motion,^A it's per^Bpetual bliss,E (G# bass it's that pivotal moment,^A It's ah, im^BpossibleE (G# bass) A C#m B

this kiss, this kiss, unstoppableE (G# bass) A C#m B this kiss, this kiss^B

cnderella said to ^G#mSnow White How does ^Alove get so off ^F#mcourse, oh ^B All I wanted was a ^G#mwhite knight With a ^Agood heart, soft touch, ^F#mfast horse ^B Ride me off into the ^G#msunset Baby, ^AI'm forever ^Ayours,

E (G# bass)

it's the way you love me, ^A it's a ^Bfeeling like this,E (G# bass)

it's centrifugal motion, ^A it's per^Bpetual bliss,E (G# bass) it's that pivotal moment,

^A It's ah, un^Bthinkable E (G# bass) A C#m this kiss, this kiss, unsinkable

E (G#m bass) A C#m B this kiss, this kiss

^C You can kiss me in the ^Am7moonlight on the ^Drooftop under the ^Gsky, oh

^C You can kiss me with the ^Am7windows ope while the ^Drain comes pouring in^Gside, oh

^C Kiss me in ^Am7sweet slow motion^DLet's let everything ^Gslide, ^Esus4 You got me floating you ^Bgot me flying,

F# (A# bass it's that pivotal moment ^B it's ah ^C#subliminal F# (A# bass) B D#m C# This kiss, this kiss It's criminal... F# (A# bass) B D#m C#This kiss, this kiss F# (A# bass) B D#m C#

it's the way you love me babyF# (A# bass) B D#m C#

it's the way you love me darlin'

F# (A# bass)

It's the way you love me ^B it's a ^C#feeling like this F# (A# bass)it's centrifugal motion ^B it's pe^C#rpetual blissF# (A# bass) it's that pivotal moment^B it's ah ^D#m sub^C#liminal F# (A# bass) B D#m C# This kiss, this kiss, It's criminal... F# (A# bass) B This kiss, this kiss ^F# it's the way you love me ^Bbaby ^F# it's the way you love me ^BdarliN

34 SUNNY AFTERNOON

GROOOVE BEAT 120

Dm|The taxman's taken all my dough, C and left me in my stately home,

A A/G A/F A/E Dmlazin' on a sunny afternoon.

CAnd I can't sail my yacht F C he's taken everything I've got.

All I've got's this sunny afternoon.

Chorus:D G7

Save me, save me, save me from this squeeze,

C7 F A7

I've got a big fat mama tryin' to break me.

Dm G7

And I love to live so pleasantly, Dm G7 C7 Live this life of luxury,

F A7 Dm

lazin' on a sunny afternoon, In the summertime..

In the summertime, in the summertime..

Dm C

2 My girlfriend's run off with my car, And gone back to her ma and pa.

Tellin' tales of drunkenness and cruelty. C Now I'm sittin' here, F C Sippin' at my ice-cooled beer, All I've got's this sunny afternoon.

Help me, help me, help me sail away,or give me two good reasons why I oughta stay

Dm G7 Cuz I love to live so pleasantly, Live this life of luxury,

F A7 Dm lazin' on a sunny afternoon,

In the summertime, in the summertime.. Dm

D G7

Save me, save me, save me from this squeeze, C7 F A7 I've got a big fat mama tryin' to break me And I love to live so pleasantly, Live this life of luxury,

F A7 Dm lazin' on a sunny afternoon

HOW DOES IT END

36 TAPESTRY

  E               B7          E              B7
My life has been a tapestry of rich and royal hue,
   E           B7            E            B7
an everlasting vision of the everchanging view,
  F#m7           B        A                B
a wondrous woven magic in bits of blue and gold,
  Amaj7       G#m7            F#m         B7
a tapestry to feel and see, impossible to hold.
 
Emaj7         B9          Emaj7          B9
Once amid the soft silver sadness in the sky
      E             B9         E               B7
there came a man of fortune, a drifter passing by
   F#m7            B                A                  B
he wore a torn and tattered cloth around his leathered hide
      Amaj7        G#m7           F#m             B7       F#m7 B7
and a coat of many colors, yellow-green on either side.
 
   G                 D7sus  D7     Gmaj7        D7
He moved with some uncertainty, as if he didn't know
G                D7sus D7      Gmaj7             D7
just what he was there for, or where he ought to go
B                   Gb7              Abm7           B
once he reached for something golden hanging from a tree
        Emaj7               Gb
and his hand came down - empty.
 
E              B7         E              B7
Soon within my tapestry along the rutted road
   E             B7             E             B7
he sat down on a river rock and turned into a toad,
   F#m7               B           A                B
it seemed that he had fallen into someone's wicked spell,
      Amaj7           G#m7             F#m             B7
and I wept to see him suffer, though I didn't know him well.
 
F               C7            F          C7
As I watched in sorrow, there suddenly appeared
  F               C7        F               C7
a figure gray and ghostly beneath a flowing beard
   Gm7              C              Bb                  C
in times of deepest darkness, I've seen him dressed in black
       Bbmaj7        Am7            Gm              C7
now my tapestry's unravelling; he's come to take me back,
     Gm7             D9sus  Dm7/4
he's come to take me back.
 
F    C7    F    C7    F.
 
D9sus = x00553
Dm7/4 = x00011

38 TOMBSTONE SHADOW

TOMBSTONE SHADOW G1 D5

Groove beat lots of solos

TOMBSTONE SHADOW stretchin' across my path.
Tombstone shadow, stretchin' across my path.
Ev'ry time I get some good news, ooh,There's a shadow on my back

.2Saw the gypsy man, 'way down in san berdoo. Said, I saw the gypsy man, 'way down in san berdoo. Five dollars on the table, ooh, Keep me 'way from my tomb.
3 BRIDGE OR WHATEVER IT IS Said I got thirteen months of bad luck,
Bound to be some pain. Don't you do no trav'lin', Fly in no machines.
Tombstone shadow, stretchin' across my path. Every time I get some good news, ooh,There's a shadow on my back.

4 The man gave me a luck charm, cost five dollars more,
Said, "put some on your pillow, and put some on your door."

He said, "take a long vacation, ooh, For thirteen months or more."
Oh, lord! 5 Tombstone shadow, stretchin' across my path.
Tombstone shadow, stretchin' across my path. Every time I get some good news, ooh,

There's a shadow on my back.Oh, oh, lord!Oh, lord!

39 DARK DREAM

VOICE RECORDER 5/22/18 PRACTICE THE BASS PARTS WITH THIS AND RECORD ON PHONE WHEN IT WORKS

1 THERE was a girl I could have loved but no I left for space

There is IS A NAME FOR WHAT i DO YOU KNOW i CAN NEVER BE TRUE

gIGOLO YES i'M HEADED FOR FAME BUT NOW i WISH i KNEW YOUR NAME

2 SINCE IVE BEEN ALL AROUND THE WORLD NOTHING LEFT TO SEE MILLIONS OF PLANETS MOONS AND BARS LOTS OF GIRLS TO MEET

iVE BEEN TO vENUS BEEN TO mARS ive even been to the black hole zoo

I've crossed a million mile void just to be here tonight with you

REMEMBER Eb E Bb E

3 added sedative effect measures lose their meaning sleep wins and then I start to dream

1 I was walking through the night when i heard something call was it a deathly scream of fright or was it nothing at all

2 So up the path i went f and now I know what it meant a new shipment had come by rail

3 There I was in a strange place I had no voice at all I couldn’t see very far in front of me 4 Connecting parts control of them now they rule themselves

1 Electric beam bring had to life then it moves a way fight another world war our only human function

40 WHEN SHE SEES ME SEE
PELICAN BOOK FOR LYRICS
1 WHEN I FIND

2-WHEN … THERE’S NO LOVE

3/4-SOLOS

5AND THEN SOMETIMES I COME HOME AT NOON

6 IN HER PRIVATE MOMENTS I DON’T SHAKE HER

-7-2- COMMUNITY PRODUCT AND SERVICE EXCHANGE is first. A way for all the people to connect. Build markets, close bases. regulate big business, deregulate for small business. Free spaces for household industry in waste areas, Move people away from chemical plants and pull the charters of the worst of them.

so much of government could be reduced.

Bio-regionally based, autonomous trading associations. BBATA bbata CPSE

.-7-3-The Covenant of the 99

getting on a Green Party committee

"creatng a new economy as if the old one doesn't matter

7-2 BEATRX BEATRx