GREENHAMMER this is the latest Beatrx songlist. This post getting the views but it's not the relevant one.
DIVISIONS OF
DIVERSIONS
7-1 BEATRX
7-2 CPSE AnD Johnny Huckster
7-3 PHOTO DUMP AND DESCRIPTIONS
7-4
It looks like I'll be stuck on this planet a bit longer so I'm going to make a new kind of business.
The name I wanted to use was Diversions. RENEWED IN 1986 Having diversions for people.
Music, (5) John A Almada - YouTube
PHILOSOPHY on this blog
THE GARDEN GREEN "sometimes gardening always green"
"turning yards into gard
26 REDNECK WOMAN
Well, I've done never
Read words that's typed
I don't like to solve problems with my words
I'd rather get drunk and fight
Whammy on my Grandma Or my littlelest
Or just random passerby
My boyfriend takes good care of me
And gave me these black eyes
No, I ain't got no degree
And I can't even write
Got my eleven kids with me
And not one dad in sight[Chorus]
Just the product of the incest From my sister and my Pa
And I keep them engine car parts On my front yard all year long
Not that you can see 'em Since my lawn's so overgrown
Callin' all you white-trash skanks In Confederate Country
Get your hands off my man, bitch!Or you got to deal with me! 'Cuz I'm tough
Hell Yeah! (Hell Yeah!)
Verse 2
It's ain't no secret That my stuff's real prime
Get the number off that bathroom stall Call me for a good time
That's a real number
From myself So I's can find a good man
No, there's no such thing as a Sothern fag 'Cuz they've all dug my clam
You might think I'm nasty And you might call me poor
But in my mind and in my heart
(Offscreen): You're just a backwoods whore!
Hey! im a redneck woman And you stay off my land
From that American Injun band
And my family's been residing here For over a hundred years
And we don't want our country filled with Immigrants and queers
So here to all out here screamin' loud "The South will rise again"
Let me get a big hell yeah From an one minute southern man
Hell Yeah! (Hell Yeah!)
[Verse 3]So I'm a redneck woman And that's all I am
Proud to be from the USA
The place that brought you spam
And I go to church on Sundays Cuz I'm a god-fearin woman
The preacher uses all big words That I don't understand
So here's to all the people That never cross that county line
Let's stay home in our shit towns
Until the end of time Hell Yeah! (Hell Yeah!)
27 MARY LOU
My roommate Don Francois grew up on a farm.. I grew up without a single pet, cat or dog. So one day I mentioned it might be fun to have a cat and he said the barn cat just had some kittens. We went to his parents farm and here wee 5 kittens just over a month old. Some ordinary colored cats and this guy. Distinctly different than the others I said I'd be willing to adopt this one but it was the one Dons mother wanted to keep. An aggresive player, we were drawn to each other and his mother relented. "Boy or girl?" and I was told "pretty sure it's a male." I named him Roger after my favorite ball player, Roger Maris. In the hallway of the flophouse Don and I were living at, I would throw a small bouncy ball Roger would chase as it ricocheted in every direction. I couldn't have asked for a more loving playful pet. I would take her to friends' house when I visited. Finally it came time to get Roger fixed and the vet said that he had transitioned to female.. So rough and tumble Roger became the ferocious, razor-clawed Mary Lou. At two years old we moved from Connecticut to Arizona. I walked her on a leash at an RV park in Indiana and we walked around a small pond at a rest stop in Kansas and nearly lost her in a cornfield in Nebraska. Our most memorable moment was spending the afternoon at Shiprock New Mexico. Unleashed there were no plants and I could see her easily. Then we packed in in and headed for Tucson. I lived at a friends for a couple weeks waiting for my roommates to arrive. Mary Lou had gotten a case of mange and had to fight with other cats while living under a Pontiac Tempest not to mention a totally insane neighbor dog that would get loose occasionally. Finally we settled in at 5801 Swinging A on the far west side and she became desert kitty.
38 TOMBSTONE SHADOW
TOMBSTONE SHADOW G1 D5
Groove beat lots of solos
TOMBSTONE SHADOW stretchin' across my path.
Tombstone shadow, stretchin' across my path.
Ev'ry time I get some good news, ooh,There's a shadow on my back
.2Saw the gypsy man, 'way down in san berdoo. Said, I saw the gypsy man, 'way down in san berdoo. Five dollars on the table, ooh, Keep me 'way from my tomb.
3 BRIDGE OR WHATEVER IT IS Said I got thirteen months of bad luck,
Bound to be some pain. Don't you do no trav'lin', Fly in no machines.
Tombstone shadow, stretchin' across my path. Every time I get some good news, ooh,There's a shadow on my back.
4 The man gave me a luck charm, cost five dollars more,
Said, "put some on your pillow, and put some on your door."
He said, "take a long vacation, ooh, For thirteen months or more."
Oh, lord! 5 Tombstone shadow, stretchin' across my path.
Tombstone shadow, stretchin' across my path. Every time I get some good news, ooh,
There's a shadow on my back.Oh, oh, lord!Oh, lord!
39 DARK DREAM
VOICE RECORDER 5/22/18 PRACTICE THE BASS PARTS WITH THIS AND RECORD ON PHONE WHEN IT WORKS
1 THERE was a girl I could have loved but no I left for space
There is IS A NAME FOR WHAT i DO YOU KNOW i CAN NEVER BE TRUE
gIGOLO YES i'M HEADED FOR FAME BUT NOW i WISH i KNEW YOUR NAME
2 SINCE IVE BEEN ALL AROUND THE WORLD NOTHING LEFT TO SEE MILLIONS OF PLANETS MOONS AND BARS LOTS OF GIRLS TO MEET
iVE BEEN TO vENUS BEEN TO mARS ive even been to the black hole zoo
I've crossed a million mile void just to be here tonight with you
REMEMBER Eb E Bb E
3 added sedative effect measures lose their meaning sleep wins and then I start to dream
1 I was walking through the night when i heard something call was it a deathly scream of fright or was it nothing at all
2 So up the path i went f and now I know what it meant a new shipment had come by rail
3 There I was in a strange place I had no voice at all I couldn’t see very far in front of me 4 Connecting parts control of them now they rule themselves
1 Electric beam bring had to life then it moves a way fight another world war our only human function
40 WHEN SHE SEES ME SEE
PELICAN BOOK FOR LYRICS
27 MARY LOU
My roommate Don Francois grew up on a farm.. I grew up without a single pet, cat or dog. So one day I mentioned it might be fun to have a cat and he said the barn cat just had some kittens. We went to his parents farm and here wee 5 kittens just over a month old. Some ordinary colored cats and this guy. Distinctly different than the others I said I'd be willing to adopt this one but it was the one Dons mother wanted to keep. An aggresive player, we were drawn to each other and his mother relented. "Boy or girl?" and I was told "pretty sure it's a male." I named him Roger after my favorite ball player, Roger Maris. In the hallway of the flophouse Don and I were living at, I would throw a small bouncy ball Roger would chase as it ricocheted in every direction. I couldn't have asked for a more loving playful pet. I would take her to friends' house when I visited. Finally it came time to get Roger fixed and the vet said that he had transitioned to female.. So rough and tumble Roger became the ferocious, razor-clawed Mary Lou. At two years old we moved from Connecticut to Arizona. I walked her on a leash at an RV park in Indiana and we walked around a small pond at a rest stop in Kansas and nearly lost her in a cornfield in Nebraska. Our most memorable moment was spending the afternoon at Shiprock New Mexico. Unleashed there were no plants and I could see her easily. Then we packed in in and headed for Tucson. I lived at a friends for a couple weeks waiting for my roommates to arrive. Mary Lou had gotten a case of mange and had to fight with other cats while living under a Pontiac Tempest not to mention a totally insane neighbor dog that would get loose occasionally. Finally we settled in at 5801 Swinging A on the far west side and she became desert kitty
30 THIS KISS E F#Faith Hill - This kiss
B I don't want another G#mheartbreak, I don'tAneed another turn toF#mcry, no
B I don't want to learn the G#mhard way, Baby Ahello, oh F#mno, goodbye,B but you got me like a G#mrocket,shooting Astraight across the Asky,E (G# bassit's the way you love me,A it's a Bfeeling like this,E (G# bass)it's centrifugal motion,A it's perBpetual bliss,E (G# bass it's that pivotal moment,A It's ah, imBpossibleE (G# bass) A C#m B
this kiss, this kiss, unstoppableE (G# bass) A C#m B this kiss, this kissB
Ci
cnderella said to G#mSnow White How does Alove get so off F#mcourse, oh B All I wanted was a G#mwhite knight With a Agood heart, soft touch, F#mfast horse B Ride me off into the G#msunset Baby, AI'm forever Ayours,
E (G# bass)
it's the way you love me, A it's a Bfeeling like this,E (G# bass)
it's centrifugal motion, A it's perBpetual bliss,E (G# bass) it's that pivotal moment,
A It's ah, unBthinkable E (G# bass) A C#m this kiss, this kiss, unsinkable
E (G#m bass) A C#m B this kiss, this kiss
C You can kiss me in the Am7moonlight on the Drooftop under the Gsky, oh
C You can kiss me with the Am7windows ope while the Drain comes pouring inGside, oh
C Kiss me in Am7sweet slow motionDLet's let everything Gslide, Esus4 You got me floating you Bgot me flying,
F# (A# bass it's that pivotal moment B it's ah C#subliminal F# (A# bass) B D#m C# This kiss, this kiss It's criminal... F# (A# bass) B D#m C#This kiss, this kiss F# (A# bass) B D#m C#
it's the way you love me babyF# (A# bass) B D#m C#
it's the way you love me darlin'
F# (A# bass)
It's the way you love me B it's a C#feeling like this F# (A# bass)it's centrifugal motion B it's peC#rpetual blissF# (A# bass) it's that pivotal momentB it's ah D#m subC#liminal F# (A# bass) B D#m C# This kiss, this kiss, It's criminal... F# (A# bass) B This kiss, this kiss F# it's the way you love me Bbaby F# it's the way you love me BdarliN
34 SUNNY AFTERNOON
GROOOVE BEAT 120
Dm|The taxman's taken all my dough, C and left me in my stately home,
A A/G A/F A/E Dmlazin' on a sunny afternoon.
CAnd I can't sail my yacht F C he's taken everything I've got.
All I've got's this sunny afternoon.
Chorus:D G7
Save me, save me, save me from this squeeze,
C7 F A7
I've got a big fat mama tryin' to break me.
Dm G7
And I love to live so pleasantly, Dm G7 C7 Live this life of luxury,
F A7 Dm
lazin' on a sunny afternoon, In the summertime..
In the summertime, in the summertime..
Dm C
2 My girlfriend's run off with my car, And gone back to her ma and pa.
Tellin' tales of drunkenness and cruelty. C Now I'm sittin' here, F C Sippin' at my ice-cooled beer, All I've got's this sunny afternoon.
Help me, help me, help me sail away,or give me two good reasons why I oughta stay
Dm G7 Cuz I love to live so pleasantly, Live this life of luxury,
F A7 Dm lazin' on a sunny afternoon,
In the summertime, in the summertime.. Dm
D G7
Save me, save me, save me from this squeeze, C7 F A7 I've got a big fat mama tryin' to break me And I love to live so pleasantly, Live this life of luxury,
F A7 Dm lazin' on a sunny afternoon
HOW DOES IT END
36 TAPESTRY
E B7 E B7 My life has been a tapestry of rich and royal hue, E B7 E B7 an everlasting vision of the everchanging view, F#m7 B A B a wondrous woven magic in bits of blue and gold, Amaj7 G#m7 F#m B7 a tapestry to feel and see, impossible to hold. Emaj7 B9 Emaj7 B9 Once amid the soft silver sadness in the sky E B9 E B7 there came a man of fortune, a drifter passing by F#m7 B A B he wore a torn and tattered cloth around his leathered hide Amaj7 G#m7 F#m B7 F#m7 B7 and a coat of many colors, yellow-green on either side. G D7sus D7 Gmaj7 D7 He moved with some uncertainty, as if he didn't know G D7sus D7 Gmaj7 D7 just what he was there for, or where he ought to go B Gb7 Abm7 B once he reached for something golden hanging from a tree Emaj7 Gb and his hand came down - empty. E B7 E B7 Soon within my tapestry along the rutted road E B7 E B7 he sat down on a river rock and turned into a toad, F#m7 B A B it seemed that he had fallen into someone's wicked spell, Amaj7 G#m7 F#m B7 and I wept to see him suffer, though I didn't know him well. F C7 F C7 As I watched in sorrow, there suddenly appeared F C7 F C7 a figure gray and ghostly beneath a flowing beard Gm7 C Bb C in times of deepest darkness, I've seen him dressed in black Bbmaj7 Am7 Gm C7 now my tapestry's unravelling; he's come to take me back, Gm7 D9sus Dm7/4 he's come to take me back. F C7 F C7 F. D9sus = x00553 Dm7/4 = x00011
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